Lots of new music this week as post-summer tuneage is in full swing. Just ask Drake who now occupies half of the Top10 on the Billboard magazine charts. It’s also drawn battle lines between old pop music fans and new because Drake’s positioning on the charts breaks a handful of records previously set by The Beatles. Vitriol has been flying around social media dismissing Drake and his accomplishments. GWN celebrates any Canadian artist who has managed to raise the ire of a generation of music lovers who refuse to acknowledge that time has passed, and that a new generation also makes music that people love. We are here three times a month extolling the virtues of those new artists and that new music. Other music exists in the same universe as The Beatles…resistance is fertile.
Continue readingArchive for April Wine
GWNtertainment #28 by Jaimie Vernon
Posted in Books, Canadian Music, life, music, Opinion, Review with tags Andrew Allen, April Wine, Bill Piton, Bob Segarini, Canadian Music, Chin Injeti, Chris Nine, Crash n Burn, Dana Countryman, Darrell Millar, DBAWIS, Don't Believe a Word I Say, Drake, Eleanor McCain, Emily Molloy, Famous Underground, Francis Nicolas, Gary Kendall, George Koller, Glenn Crosse, GWNtertainment, Hawksley Workman, High Loves, Hogtown Allstars, Jaimie Vernon, jim henman, Jr. Gone Wild, Julian Taylor, Kevin Breit, Killer Dwarfs, Laura Fernandez, Marc Jordan, Martina Griffiths, Marty Zylstra, Merle Marlow Band, Myles Goodwyn, Oscar Peterson, Ritesh Das, Rod Stewart, Ryan Shane Owen, Steven Heighton, Terry Draper, The Beatles, The Canadian Cover Crew, The Red Dirt Skinners, Tom Jackson, Tonia Evans Cianciulli, Toronto Tabla Ensemble, Wine Lips on September 20, 2021 by segariniSegarini – Q: Are we not Men? A: We are Demo, D-E-M-O …PLUS – Another Format Free Music Mix
Posted in music, Opinion, Review with tags April Wine, Bob Segarini, Cats and Dogs, DBAWIS, Demos, Don't Believe a Word I Say, Family Tree, music, Roxy, Segarini Band, Toronto, Wackers on January 24, 2020 by segarini
In the housing industry, DEMO is shorthand for DEMOLISH, the procedure used by renovators and construction workers to tear down that which is to be replaced in order to upgrade a property and increase its value
In the recording industry, DEMO is shorthand for DEMONSTRATION, the procedure used by artists, labels, producers, and songwriters to preview a song or musical project in order to choose what to record or continue to tweak before committing the time and money to realize a finished product or artistic statement.
There are other definitions of DEMO aside from these two, but when it comes to music, the definitions can oft-times be interchangeable …in, and out, of order.
Roxanne Tellier – Mid August
Posted in Opinion, Review with tags Alpine Way, Alpino Lodge, Andre Perry, April Wine, Bob Segarini, bread and circuses, Burton Cummings, Cat Stevens, Charlottesville, Civil War Part Deux?, CNE, Confederacy, David Bowie, DBAWIS, fried chicken feet, GoFundMe, Gorilla Girl, Keith Richards, Le Studio, Lee Park, Louvre, Mid August, Morin Heights Montreal, Richard Baxter, Robert E. Lee Park, Roberta Flack, Roxanne Tellier, Rush, slavery, Sting, summer of love, The Bee Gees, The EX, The Monkees, The Police, The Ramones on August 21, 2017 by segariniMid August, and most days I feel like, this year, summer never really got started. Maybe it’s the weather, or the political climate, but something feels off-kilter. My potted veg and herbs are in shock; it’s been either torrential rain or temps in the 90s – sometimes in the same 24 hours – every day since they were planted. Sodden pots sit cheek by jowl with containers so arid they threaten to burst into flame. There won’t be much of a harvest this year.
Frank Gutch Jr: Reprise Is Not a Label… Plus Notes
Posted in Opinion, Review with tags Al Kooper, April Wine, besnard lakes, bill carter, Capability Brown, Cargoe, cuff the duke, Daddy Cool, DBAWIS, Don't Believe a Word I Say, Evangenitals, Forty Below Records, Frank Gutch Jr., Gypsy, Heartsfield, Indie Artists, Indie Music, Jeff Finlin, Jon Stickley Trio, kyle carey, Mad Anthony, Mike Harrison, Monster Atlantic, music, music videos, Nick Holmes, Perry Jordan, radio, Ralph J. Gleason, Records, robert thomas velline, Runaways, segarini, Space Opera, the throws, Troubadour, Willis Alan Ramsey, Winterpills on March 8, 2016 by segariniBefore we get into the meat of this column, let’s talk Winterpills. I have been a fan since hearing their 2010 EP Tuxedo of Ashes and have followed them since. Their one album of covers, Echolalia, was good enough to make me toss aside my disdain of this current trend, their arrangements making up for the usual lack of creativity on most bands parts. No such problem here. Love Songs is an all-original triumph, Philip Price writing his best songs since Tuxedo, and the band is in A-1 shape.
JAIMIE VERNON – OH! CANADA? THE OTHER SONGS OF MY PEOPLE
Posted in Opinion with tags 54.40, alice cooper, April Wine, Birthday, Bob Dylan, Bob Segarini, Buffy Sainte Marie, Canada Day, Canadian Music, Chicago, DBAWIS, Don't Believe a Word I Say, Eddie Schwartz, folk movement, Frank Sinatra, Gordon Peterson, Greenwich Village, Guess Who, Hootie & The Blowfish, Hudson's Bay, I Go Blind, Ian & Sylia Tyson, Ian Thomas, Indio, Jaimie Vernon, Joe Cocker, Joni Mitchell, Manfred Mann, Marc Jordan, My Way, Neil Young, Paul Anka, protest songs, Rhythm of My Heart. Tillsonburg, Rod Stewart, Rolf Kempf, Santana, The Tonight Show, Universal Soldier, Yorkville on June 28, 2014 by segariniTuesday marks the 147th birthday of this great Dominion known as Canada. Though we’re not quite as old as our brother to the south, our European lineage dates back to May 2, 1670 when the Dread Pirate Ernie Hudson got his ship stranded in the northern waters of the arctic looking for a direct passage to Santa’s Workshop. He and the crew survived on nothing but Her Queen’s Own Biscuits, Tea
Candles and striped blankets knitted from the wool of extinct mammoths. The native population had already been here 11,000 years longer and resented the idea that you now had to trade 10 beaver pelts to get a birch bark canoe. We’ve come a long way since then but still pride ourselves on our cultural diversity, beavers, hockey and fornicating while watching hockey. Oh, and we seem to be able to write a mean ditty (not “diddy” you internet meme idiots).
Frank Gutch Jr: Fun With 45s (Into the Depths of Hell), Jess Pillmore Breaks Her Silence, and Notes…..
Posted in Opinion with tags Ace, Aces Straights & Shuffles, April Wine, Bridey Murphy, Cargoe, Crushed Out, Daddy Cool, Dan Phelps, DBAWIS, Dewey Terry, Don't Believe a Word I Say, Eric Lichter, Five Man Electrical Band, Flash Cadillac, Frank Gutch Jr., Free Beer, Green Pajamas, Horslips, Indie Artists, Indie Music, jess Pillmore, Jessy Greene, Joel Brown., Ken Stringfellow, Little Roger & The Goosebumps, Marmalade, Mean Creek, Michael Dinner, music, Paul Carrack, Poor Young Things, Ray Brandes, Records, Rubettes, Sweet Pain, Tell-Tale Hearts, The Detergents, The Record Company, Tom Dyer, Xenat-Ra on November 7, 2012 by segariniThat’s what one of my old girlfriends used to call hanging out at my place. The Depths of Hell. Of course, as far as I could tell, anyplace which did not exclusively play everything Los Angeles was hell to her. Linda Ronstadt. The Eagles. Joni Mitchell. Jackson Browne. Gawd, but I always thought if there was a hell on Earth, it was Los Angeles. Soft Rock hell. Bland hell. Mediocre hell. Just plain hell.
Frank Gutch Jr: We Are the World Done Local, Mining 45s, and Notes…..
Posted in Opinion with tags Aimee Mann., April Wine, Band Aid, Bryce Larsen, Don't Believe a Word I Say, Frank Gutch Jr., Gruppo Sportivo, Indie Music, Loss Leaders, Myspace, Now Wave Sampler, Records, Research Turtles, Rockin Foo, stealing jane, The Minnows, The Soundcarriers, Tom Dyer, USA for Africa on September 26, 2012 by segariniQuick! Without searching, answer a few questions. Who recorded We Are the World? Who benefited? Who wrote it? Was there a B-side? Were there other projects similar? Does anyone care? Did anyone care?
For those born after the fact, it may surprise you to know that plenty cared. Over 20 million people worldwide bought the record. I mean, Michael Jackson and Lionel Ritchie, the writers of the song, were huge at the time. So were producers Quincy Jones and Michael Omartian, though Jones significantly more than Omartian.