I didn’t have the best week, to be honest. On Tuesday, I learned that a very dear friend had passed away after a series of health setbacks. Scott Shelson was a good man; look up ‘mensch’ in the dictionary – his photo should be there.
Archive for Aretha Franklin
Roxanne Tellier – Stuff is Hard
Posted in Opinion, politics, Review with tags Aretha Franklin, August 16, babe ruth, Baby Boomers, civil rights, Dark Ages, DBAWIS, Elvis Presley, preformationism, Queen of Soul, Robert Johnson, Roxanne Tellier, Scott Shelson, segarini, Stuff is Hard, Titanic, Titivillus the Error Demon on August 19, 2018 by segariniPat Blythe – The Women of Blues Revisited – Part IV – Maggie & Janis
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Albert Collins, Alex Harvey, Archie Hind, Aretha Franklin, Atlantic Records, Austin, Big Brother and the Holding Compan, Bob Segarini, Chris Helms, Colin Allen, Courtaney, David Kelly, DBAWIS, Dennistoun Palais Band, Dick Cavett, Dionne Warwick, Discovering the Vulnerable Woman Behind Janis Joplin’s Legend, Dusty Springfield, Fillmore West, Frankie Vaughan, Freedom Road, Graeme Noble, Greg Simpson, Hold Me, It Ain't Easy, James Dewar, Janis Joplin, Jerry Wexler, Joe Cocker, John McGinnis, Kinning Park Ramblers, La Cave, Led Zeppelin, Leslie Harvey, Lightning Hopkins, Live At Montreaux, Locarno Ballroom, Long John Baldry, Mad Dogs & Englishmen, Maggie Bell, Mark London, Maryhill Estate, Mecca Band, Melody Maker, Mike Moran, Miles Davis, Monterey Pop Festival, New Musical Express, Nina Simone, No Mean City, NYC, Oh My! My!, Pat Blythe, Patsy Cline, Pearl, Peter Grant, Polydor, Port Arthur, Queen of the Night Midnight Flyers, Ray Charles, Ringo Starr, Ron Leahy, San Francisco, Sheila Weller, Shirley Bassey, Southern Comfort, Steve Thompson, Stone the Crows, Suicide Sal, Swan Song, Taggart, Taj Mahal, Teenage Licks, Texas, The Alex Harvey Soul Band, The British Blues Quintet, The Dear Green Place, The Easterhouse Project, The Full Tilt Boogie Band, The Kozmic Blues, The Power, The Power of Music, The Queen of Psychedelic Soul, The Who, University of Texas, Vancouver Island Musicfest, Vanity Fair, Woodstock, Yardbirds, Young Rascals, Zoot Money on August 17, 2017 by segariniI have “moved” Janis Joplin from my Women in Rock series to this one. When I started the “Women of ……” series, I felt she had a foot in both camps. However, the more I listen to Joplin the more I realize her feet were far more firmly planted in the blues as her voice alone attests. There have been comparisons over the years between Maggie Bell and Janis Joplin. They are reminiscent of each other and that starts with the hair. Scotland is steeped in the blues (just listen to the pipes and some of the Celtic music) but the seeds were planted, and the roots run to the core of the earth, in the U.S.’s “deep south”. Keep in mind, much of the southern U.S. became home to the Scots fleeing the oppressive English in the late 1700’s. Combine that with the African “slave” songs….mix with oppressive heat and stir….so, sometimes I wonder, who exactly influenced whom?
Pat Blythe – Women of Blues Revisited – Part III
Posted in Opinion, Review with tags 81 Theatre, A Girl With A Camera "The Picture Taker", Aretha Franklin, Billie Holliday, Blue Goose Hollow, Bob Segarini, Buck Washington, Charlie Green, Chu Berry, Clarence Smith, Coleman "Hawk" Hawkins, David Dicaire, DBAWIS, Dori Previn, Empress of the Blues, Fletcher Henderson, Frank Teagarden, Frank Walker, Frankie Newton, Grammy Lifetime Achievement Award, HBO, Jack Gee, James P Johnson, Janis Joplin, Jazz, Joe "Fox" Smith, John Hammond, Louis Armstrong., luvthemusic, Ma Rainey, Mahalia Jackson, Mamie Smith, Mo'nique, Mount Lawn Cemetery, National Endowment for the Arts, New Race Records, Norah Jones, Okeh Records, Pat Blythe, Queen Latifah, Recording Industry of America, Richard Morgan, Rock and Roll Hall of Fame, Songs of the Century, Swing Era, the blues, The Charleston, The Greatest Blues Singer in the World, The Roaring Twenties, Viola Smith, White Elephant Saloon on August 10, 2017 by segariniThoughts and ramblings…..
Let me just wander/wonder for a moment. It’s a simply gorgeous day today (Wednesday) and there are way, way too many diatribes written about “he who shall not be shamed”, south of the 49th parallel. Noodling around in amongst what neurons are actually firing is this thought…… What if we all just simply stopped reporting on his every move, his every tweet, his every fart (cause that’s what comes out of his mouth….gas) What if it ALL just completely halted….any mention of his name or his family’s. No Tweets or tweet responses, no Facebook or Facebook sharing, no comedy shows, no “fun” news (i.e. John Oliver), nadda, zip, bupkis….. NOTHING! A complete blackout for say……48 hours. What would we talk about? What exactly are we missing in other news and stories? My curiosity has got the better of me…. what would “he” do. No attention paid, nothing to rail against, no media outlet to harangue, no “fake news” to protest….. I wonder…….and my neurons wander……
Pat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.