This piece first ran in DBAWIS just over two years ago. It all started with the a series called Women in Song, based on a collection of CDs (made in Canada dontcha know) I had rediscovered when cleaning out “stuff”. One thing leads to another, a name is mentioned, I start to poke around, one person leads to another and the next thing you know I’m down, waaaay down the rabbit hole. There are an incalculable number of stories and in one fashion or another, they are all linked. If one had to create a “family tree” of music…..well…..it would be “yuge” and nigh on impossible to follow. Just in our little music community here in Toronto, everybody is “related” somehow. I’m about to embark on another project and meet with an individual who has been around the business so long he is full of stories…..I’m sensing another rabbit hole….
Archive for Big Momma Thornton
Pat Blythe – Women of Blues Revisited – Part II
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Alberta Hunter, Assassinators of the Blues, Bessie, Bessie Smith, Big Momma Thornton, Black Bottom, Black Pearls, Blues Foundation's Hall of Fame, Bo-Weavil Blues, Bob Dylan, Bob Segarini, Bruce Springsteen, Chuck Berry, Daphne Harrison, DBAWIS, Dinah, Dinah Washington, Don't Believe a Word I Say, doo-wop, Elvis Presley, Eric Burdon, Fat Chappelle, Gertrude Malissa Nix Pridgett, Grammy, Lead Belly, Lightnin' Hopkins, Louis Armstrong., Ma Rainey, minstrel, Mitch Ryder & The Detroit Wheels, Mo'nique, Moonshine Blues, Mother of the Blues, Pa Rainey, Pat Blythe, Peggy Lee, Prove It On Me, Queen Latifah, Rabbit Foot Minstrels, Ray Charles, Roxanne Tellier, Sandra Lieb, See See Rider, Soon This Morning, tent shows, The Airdome, The Kingsmen, The Lyric, The Orioles, The Wild Cats Jazz Band, Thomas Dorsey, Tolliver's Circus and Musical Extravaganza, Tombstone Blues, Tommy Dorsey, vaudeville, Victoria Spivey Mayo Williams on August 2, 2017 by segariniPat Blythe: Women of Blues 2 – Ma Rainey – Mother of the Blues
Posted in Opinion with tags Alberta Hunter, Assassinators of the Blues, Bessie, Bessie Smith, Big Momma Thornton, Black Bottom, Black Pearls, Blues Foundation's Hall of Fame, Bo-Weavil Blues, Bob Dylan, Bruce Springsteen, Chuck Berry, Daphne Harrison, DBAWIS, Dinah, Dinah Washington, Don't Believe a Word I Say, doo-wop, Elvis Presley, Eric Burdon, Fat Chappelle, Gertrude Malissa Nix Pridgett, Grammy, Lead Belly, Lightnin' Hopkins, Louis Armstrong., Ma Rainey, minstrel, Mitch Ryder & The Detroit Wheels, Mo'nique, Moonshine Blues, Mother of the Blues, Pa Rainey, Pat Blythe, Peggy Lee, Prove It On Me, Queen Latifah, Rabbit Foot Minstrels, Ray Charles, Roxanne Tellier, Sandra Lieb, See See Rider, segarini, Soon This Morning, tent shows, The Airdome, The Kingsmen, The Lyric, The Orioles, The Wild Cats Jazz Band, Thomas Dorsey, Tolliver's Circus and Musical Extravaganza, Tombstone Blues, Tommy Dorsey, vaudeville, Victoria Spivey Mayo Williams on June 3, 2015 by segariniI just finished watching the movie Bessie starring Queen Latifah as Bessie Smith and Mo’nique as Ma Rainey. Suggested watching by Roxanne, my friend and fellow writer, and an excellent recommendation it was. Thank you Rox…. the timing couldn’t be more perfect. A great segue for this column and also for the series. Ma and Bessie were two completely different women singing their own style of the blues together, and apart, one learning from the other and taking the blues to a whole new audience. I’ll start with the groundbreaker.
Pat Blythe: The Women of Blues
Posted in Opinion with tags Alannah Myles, Algiers, Aretha Franklin, Beale Street, Bessie Smith, Betty Garon, Big Bill Broonzy, Big Momma Thornton, Black Velvet, blues, Blues Hall of Fame, Bob Segarini, Bonnie Raitt, boogie woogie, Broken Heart, Bumble Bee, Chauffeur Blues, Chess Records, Chicago, Chicago blues, Christopher Blythe, Columbia Records, country blues, DBAWIS, Decca, Dinah Washington, Don't Believe a Word I Say, Erin Harpe, Ernest Lawlars, Etta James, Frisco Town, Going Back To Texas, I'm Salin', Ida Cox, Janis Joplin, Jefferson Airplan, Jeil Nursing Home, Jimmy Rodgers, Jo Ann Kelly, JOB Records, John Lee Hooker, John Roach, Johnny Shines, Julia Lee, Kansas Joe McCoy, Ken Jarvis, Kid Douglas, Kissing in the Dark, Langston Hughes, Led Zeppelin, Lester Melrose, Little Son Joe, Lizzie Douglas, Louisiana, Lucille Hegamin, Maria Muldaur, Maxine Sullivan, Mazzy Star, Me And My Chauffeur, Melrose sound, Memphis, Mount Zion Memorial Fund, Muddy Waters, National, New Hope Baptist Church Cemetery, Pat Blythe, Paul Garon, postwar blues, R&B, Ringling Brothers, Rolling Stones, Roosevelt Sykes, Sarah Vaughan, She Hangs Brightly, Signe Anderson, St. Louis Jimmy Oden, Tennessee, Texas Tessie, That Will Be Alright, The Lydia Taylor Band, urban blues, Victoria Spivey, Vocalian, Washboard Sam, When The Levee Breaks, Woman with Guitar: Memphis Minnie Blues, World of Trouble, You Got To Move (You Ain't Got To Move), You Wrecked My Happy Home on May 27, 2015 by segariniPrologue….
Anyone heard of Memphis Minnie? How about Ida Cox, Victoria Spivey, Lucille Hegamin, Julia Lee or Maxine Sullivan? Me neither. How about Bessie Smith, Etta James, Sarah Vaughan, Aretha Franklin, Big Momma Thornton, Dinah Washington or even Janis Joplin. The latter are a smattering of the ladies most frequently thought of or mentioned when we think of great female blues singers….the former, not so much.