This piece first ran in DBAWIS just over two years ago. It all started with the a series called Women in Song, based on a collection of CDs (made in Canada dontcha know) I had rediscovered when cleaning out “stuff”. One thing leads to another, a name is mentioned, I start to poke around, one person leads to another and the next thing you know I’m down, waaaay down the rabbit hole. There are an incalculable number of stories and in one fashion or another, they are all linked. If one had to create a “family tree” of music…..well…..it would be “yuge” and nigh on impossible to follow. Just in our little music community here in Toronto, everybody is “related” somehow. I’m about to embark on another project and meet with an individual who has been around the business so long he is full of stories…..I’m sensing another rabbit hole….
Archive for Blues Foundation’s Hall of Fame
Pat Blythe – Women of Blues Revisited – Part II
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Alberta Hunter, Assassinators of the Blues, Bessie, Bessie Smith, Big Momma Thornton, Black Bottom, Black Pearls, Blues Foundation's Hall of Fame, Bo-Weavil Blues, Bob Dylan, Bob Segarini, Bruce Springsteen, Chuck Berry, Daphne Harrison, DBAWIS, Dinah, Dinah Washington, Don't Believe a Word I Say, doo-wop, Elvis Presley, Eric Burdon, Fat Chappelle, Gertrude Malissa Nix Pridgett, Grammy, Lead Belly, Lightnin' Hopkins, Louis Armstrong., Ma Rainey, minstrel, Mitch Ryder & The Detroit Wheels, Mo'nique, Moonshine Blues, Mother of the Blues, Pa Rainey, Pat Blythe, Peggy Lee, Prove It On Me, Queen Latifah, Rabbit Foot Minstrels, Ray Charles, Roxanne Tellier, Sandra Lieb, See See Rider, Soon This Morning, tent shows, The Airdome, The Kingsmen, The Lyric, The Orioles, The Wild Cats Jazz Band, Thomas Dorsey, Tolliver's Circus and Musical Extravaganza, Tombstone Blues, Tommy Dorsey, vaudeville, Victoria Spivey Mayo Williams on August 2, 2017 by segariniPat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.
Pat Blythe: Women of Blues 2 – Ma Rainey – Mother of the Blues
Posted in Opinion with tags Alberta Hunter, Assassinators of the Blues, Bessie, Bessie Smith, Big Momma Thornton, Black Bottom, Black Pearls, Blues Foundation's Hall of Fame, Bo-Weavil Blues, Bob Dylan, Bruce Springsteen, Chuck Berry, Daphne Harrison, DBAWIS, Dinah, Dinah Washington, Don't Believe a Word I Say, doo-wop, Elvis Presley, Eric Burdon, Fat Chappelle, Gertrude Malissa Nix Pridgett, Grammy, Lead Belly, Lightnin' Hopkins, Louis Armstrong., Ma Rainey, minstrel, Mitch Ryder & The Detroit Wheels, Mo'nique, Moonshine Blues, Mother of the Blues, Pa Rainey, Pat Blythe, Peggy Lee, Prove It On Me, Queen Latifah, Rabbit Foot Minstrels, Ray Charles, Roxanne Tellier, Sandra Lieb, See See Rider, segarini, Soon This Morning, tent shows, The Airdome, The Kingsmen, The Lyric, The Orioles, The Wild Cats Jazz Band, Thomas Dorsey, Tolliver's Circus and Musical Extravaganza, Tombstone Blues, Tommy Dorsey, vaudeville, Victoria Spivey Mayo Williams on June 3, 2015 by segariniI just finished watching the movie Bessie starring Queen Latifah as Bessie Smith and Mo’nique as Ma Rainey. Suggested watching by Roxanne, my friend and fellow writer, and an excellent recommendation it was. Thank you Rox…. the timing couldn’t be more perfect. A great segue for this column and also for the series. Ma and Bessie were two completely different women singing their own style of the blues together, and apart, one learning from the other and taking the blues to a whole new audience. I’ll start with the groundbreaker.