Having progressed from crawling to walking to being regally conveyed in a carriage to riding a tricycle to running, I began to have to address new and more relevant ways of personal transportation as I grew older. I was able to occasionally borrow, however briefly, a bicycle from an understanding friend. Late in August one year, I was riding on the sidewalk in front of Robertson’s house, when I lost my balance and fell to my right. I threw my right arm out to “break” my fall.
Archive for Brandon Gregory
Peter (Beer) Barrels through CMW 2018
Posted in Opinion, Review with tags "Anthems in Ashes", "Atomic Tomb", "Eklectik", "Gnarly Horse", "Hotel Mira", "Iggy Pop And The Stooges", "Kilmore", "Lyric Dubee", "Mount Farewell", "Mulligrub", "Nahga", "Revelations", "The Alpacas", "The Julian Taylor Band", "The Original Kid Rock", 94.9 The Rock, Adelaide Hall, BlackDog Ballroom, Brandon Gregory, Canadian Music Week, Cherry Cola's, Cleopatrick, Crown Lands, Darryl Hurs, David Bowie, Don't Believe a Word I Say, Doug Elliott, Drop Top Alibi, dylan hennessey, Fortunate Losers, Indie Week, Ivory Hours, James Blonde, Junction City Music Hall, Metropass, Michael Stanfield, mudhoney, Mushy Callahan, Pat Blythe, Peter Montreuil, Return For Refund, Robert Segarini, Second Pass, Suzi Kory, the Bovine Sex Club, The Clash, The Crooked, The Hideout, The Record Company, The Reed Effect, The Who, Trampa on May 17, 2018 by segariniArmed with my “media” credentials, my guidebook and my Metropass, I took on Canadian Music Week. (Note that all of the bands/artists that I mention in this column have Facebook pages, and are well worth further study, should you feel so inclined. It was a very busy week!)