Archive for Brian Auger

Frank Gutch Jr: Classic Rock— Not As Classic As You Might Think; Plus, In Keeping With the Theme, Notes of a Classic Nature

Posted in Opinion, Review with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 10, 2017 by segarini

 

I would love to gather all of the music directors of so-called Classic Rock radio stations in the Roman Coliseum and turn the lions loose.  I was around long before the term Classic Rock was even phrased and as big a fan of rock radio as there was and I learned to hate everything radio tried to do after big money came in with all of their ideas to make radio “better.”  I suffered through a number of formats from the time of “Boss” radio to the present, the only one being worth a shit (to my mind) being Underground.  Ah, the days of underground.  I remember returning from the Army to Eugene and radio station KZEL and being floored with evening sets by The Wasted Potato (I think his name was Gary Parmentier) like War/Four Cornered Room, The Temptations/Masterpiece, and Funkadelic/Maggot Brain, back-to-back-to-back.

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Frank Gutch Jr: Sweet Relief III: Cover Songs I Can Get Behind, Even In The Midst of This Covers/Tribute Glut… And If You Want Covers, I Have Some Right Here In the Hall Closet (Crash! Bang! Boom!) Plus Notes…..

Posted in Opinion with tags , , , , , , , , , , , , , , , , , , , , , on August 27, 2013 by segarini

FrankJr2If you understood the reference to the hall closet, you are a fossil like myself and ready for the wood heap.  Better start taking Geritol again (the Stone Age’s answer to Centrum).

It is a strange world in which I find myself these days and not one I am particularly fond of, especially since supposed music lovers (and the media) have jumped on this covers/tribute thing like it is more than a fad (it isn’t, at least the way in which the music is being approached).  I laugh— no, I guffaw— at the idea of bands bowing at the feet of other bands, thinking that signs of obeisance gives them any kind of credibility in the real world of music and musicians.

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