I open today’s column with great sadness. Tom Petty, a true rock ‘n’ roller and one of the most respected individuals in the music business today, as both as musician and a person, has died just days before his 67th birthday. Social media was on fire with the news, jumping the gun just a tad early (thanks CBS) but nonetheless, we instinctively knew in our hearts he wasn’t going to make it. I traversed the 70’s and 80’s with Tom Petty and The Heartbreakers, listening to and loving his work. Not your “classic” rocker, in both appearance and musically, but we all knew Petty was pure talent. The “humanness” of his lyrics, his way of combining them with a unique melody and his distinctive voice, touched a certain part of your psyche and drew you in. You stopped to listen. There will be so much written about him over the next few days and weeks I won’t drag it out here. Suffice to say this is one rocker I will truly miss. I send my condolences to his wife Dana York, his two daughters Adria and AnnaKim, his step-son Dylan and his extended family.
Archive for Buddy Guy
Pat Blythe – Tom Petty, Burton Cummings, Scott Holt and Bill Durst…..
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Bill Durst, Bob Segarini, Brian Andreas, Buddy Guy, Burton Cummings, DBAWIS, Don't Believe a Word I Say, El Mocambo, Greg Simpson, Harris Park, London Bluesfest 2017, MacLean and MacLean. The Knob Hill, MLG, Pat Blythe, Scott Holt, the blues, The Carpet Frogs, The Duncan Showroom, The Guess Who, Thundermug, Tom Petty, Tom Petty and the Heartbreakers, York University on October 4, 2017 by segariniPat Blythe: CMW — Over and Out Part 2 – Until We Meet Again
Posted in Opinion with tags (We're All) Juvenile Delinquent, Al Mair, Alana Yorke, Billy Mann, Bob Segarini, Bonnie Fedrau, Buddy Guy, Cam Carpenter, Canadian Musician, Care Failure, Charlie Presburg, Charlotte Kemp Muhl, Chef Live, Christopher Blythe, DBAWIS, Die Mannequin, Donny Blais, eOne Music Canada, Fat White Family, Frank Tiefenback, Fry's, Fryfolgles, Gab Sid, Ghost Of A Saber Tooth Tiger, Gibson Artist Showroom, GigSalad, Gladys Knight, Gloryhound, GOASTT, Greg Simpson, Horseshoe Tavern, Howlin’ Wolf, Ian Janes, Images in Vogue, J.C. Sandoval, Jay Sparrow, John Lennon, Levon Helm, Midnight Sun, Muddy Waters, Music Nova Scotia, Neil Carson, Newcap Radio, Peter Montreuil, Phil Taylor, rancho relaxo, Richard Julien, Rivoli, Roxanne Tellier, Savannah, Sean Lennon, Secret Broadcast, segarini, Segarini Band, Seneca College, Sheraton, Steph Mercier, Steve Jones, The Picture Taker, tiki lounge, Tom Williams, Turn Down The World, VIP Bookings, Xprime, Yoko Ono, Zippo Lighters on May 20, 2015 by segariniI was overwhelmed with what CMW had to offer. So much to see and do, so many contacts to make, so much to learn and waaaay too many clubs to hit. Impossible in ten days but we all do our very best.
Roxanne Tellier: My Toronto – Part One
Posted in Opinion with tags Boys Brigade, Buddy Guy, Cameo Lounge, Chick n Deli, Cleveland, DBAWIS, Dixieland Jazz Matinee at Grossman's, Downchild Blues Band, Ellen McIlwaine, Goddo, Honeymoon Suite, Hotel California, Howling Wolf, Isabella Hotel. I Get Dizzy At The Izzy, Jane Vasey, Jesse Winchester, Kid Bastien's Camelia Band, Knob Hill Hotel, Louise Lambert, Mad Mechanic, Muddy Waters, Peter Appleyard, Piccadilly Tube, Q107, Queensbury Arms, Ramblin’ Jack Elliott, Reckless, Regatta, Roxanne Tellier, Santers, Spats, Sylum, The Cameo Blues Band, the Chimney, The Forge and Nickelodeon, The Gasworks, the Happy Pals, The Hunt, The Izzy, The Jitters, The Shammy, The Shamrock, Tony’s East, Triumph, Ye Olde Brunswick House, yonge street, Zon on April 6, 2014 by segariniCam Carpenter’s recent DBAWIS column on Toronto venues reminded me of how impressive the city’s music scene was back in the day. In the late 1970’s and early ‘80’s, the city was awash not only in great clubs, but in terrific musicians working six or even seven days a week, entertaining delighted, enthusiastic crowds.
You couldn’t toss a rock without hitting a working musician back then. We were everywhere, making a decent living, doing what we loved to do. Demand for live music was high, and most of us tried our damndest to rise to the listener’s expectations.