Indiana Jones has nothing on me. That big rolling ball chasing him? That’s nothing compared to the mountain of carnivorous beasts chasing me in my dreams every night, each vying for that elusive review I promised what seems months ago. It is the music reviewers equivalent to no pants in the schoolroom, the albums fighting one another to get to me, to rip flesh from bone, to make me pay for what they see as vinyl manslaughter— vinylslaughter, if you will— an offense so terrible as to consign innocent artists and albums to a certain death, so vile as to blast dreams to smithereens, so ghastly as to be— well— ghastly.
Archive for Caitlin Canty
Frank Gutch Jr: O Canada: A Nod to The Great White North— (and more of them goddamn notes)
Posted in Opinion with tags bill jackson, Bob Segarini, bobby gottesman, Caitlin Canty, Chloe Albert, Darrell Vickers, Dave Bidini, David Olney, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Gowan, Indie Artists, Indie Music, Jaimie Vernon, Jane Gowan, Jubal Lee Young, Laurie Biagini, music videos, On a Cold Road, Pete Fidler, Pursuit of Happiness, Records, Rheostatics, Roxanne Tellier, Sergio Webb, Shade, Sloan, South of Bloor, Steve Young, The Extras, Thor, Tim Vesely, Toby Swann, Tragically Hip, Violet Archers on September 2, 2014 by segariniI am a lost Son of Canada. I must be. I love Canadian bacon, though bacon it not really be (except maybe technically). I love Jennifer Dale, an actor who deserved much more than she has been afforded, respect-wise (I reveled in her work on Canadian TV and film during Comcast’s all-too-short span of including CTV and CBC on their cable lineups in the ’80s). I love Due South, one of the most creative and funny-on-so-many-levels series TV has ever created (the transition of Ray to Ray— David Marciano to Callum Keith Rennie— a work of pure writing craftmanship).