When I was a kid in Montreal, most of the dads (and some of the moms) were veterans of the World War II, and the Korean War, which had ended just a few short months before I was born.
Archive for Charlottesville
Roxanne Tellier – Doomed to Repeat
Posted in life, Opinion, politics, Review with tags alternative reality, Biden, Big Lie, Brian Sicknick, Charlottesville, CNN, Constitution, COVID 19, DBAWIS, Doomed to Repeat, Ernst Zundel, Fake News, Final Solution, Glenn Kirschner. Mar A Lago, Governor Gretchen Whitmore, Holocaust, Jamie Raskin, John Cameron Swayze, Josh Hawley, KellyAnne Conway, Korean War, Michigan, Mike Shirkey, Mitch McConnell, MS-NBC, Muslim ban, not guilty, or Huntley and Brinkley, pandemic, Rand Paul, Ruth Bader Ginsburg, segarini, Supreme Court, Tellier, trade war, Twitter, Walter Cronkite, World War II on February 14, 2021 by segariniRoxanne Tellier – Watching The Dream Die
Posted in Opinion, politics, Review with tags Charlottesville, civil rights, CNN, Confederate, DBAWIS, democracy, I have a dream, LeBron James, Martin Luther King Jr., NAACP, Nazi, Roxanne Tellier, segarini, Sessions, Spike Lee, Trump, Ving Rhames on August 12, 2018 by segariniIf you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.”
— Lyndon Johnson, 36th President of the United States of America
Martin Luther King Jr had a dream. And he died for it, along with the many others, of all colours, who fought to bring the civil rights movement to America.
Roxanne Tellier – Mid August
Posted in Opinion, Review with tags Alpine Way, Alpino Lodge, Andre Perry, April Wine, Bob Segarini, bread and circuses, Burton Cummings, Cat Stevens, Charlottesville, Civil War Part Deux?, CNE, Confederacy, David Bowie, DBAWIS, fried chicken feet, GoFundMe, Gorilla Girl, Keith Richards, Le Studio, Lee Park, Louvre, Mid August, Morin Heights Montreal, Richard Baxter, Robert E. Lee Park, Roberta Flack, Roxanne Tellier, Rush, slavery, Sting, summer of love, The Bee Gees, The EX, The Monkees, The Police, The Ramones on August 21, 2017 by segariniMid August, and most days I feel like, this year, summer never really got started. Maybe it’s the weather, or the political climate, but something feels off-kilter. My potted veg and herbs are in shock; it’s been either torrential rain or temps in the 90s – sometimes in the same 24 hours – every day since they were planted. Sodden pots sit cheek by jowl with containers so arid they threaten to burst into flame. There won’t be much of a harvest this year.
Frank Gutch Jr: John Stewart— More Than Just “Gold”; Wayne Berry— Welcome Home
Posted in Opinion, Review with tags Amilia K. Spicer, Calico The Band, California Bloodlines, Centennial, Charlottesville, Cowboy, DBAWIS, Don't Believe a Word I Say, Eileen Carey, Frank Gutch Jr., Home At Last, Indie Artists, Indie Music, John Stewart, Keith Morris, Lilly Hiatt, Lisa LeBlanc, Lisbee Stainton, music, music videos, radio, Records, segarini, Somewhere South of Eden, Starting an Earthquake, Sweet Home Oregon, The Burning Hell, Tift Merritt, Timber, Tommy Talton, Trancas, Volunteers, Vourtney Marie Andrews, Waybe Berry on August 15, 2017 by segariniI picked up a turntable for my sister a couple of months ago. She had found what she said was about twenty of her old albums (it was more like a hundred and fifty) and had the urge to once again hear them. Mostly they were albums I remember her liking— Percy Faith, Rod McKuen, Enoch Light and the like. She drove me nuts with those albums when we were kids but I secretly liked a lot of them. (I did truly hate the Sound of Music, Colleen, but the others were okay).
Roxanne Tellier – Blackberries and Entitlement
Posted in Opinion, Review with tags anti-Semitism, bigotry, Black Lives Matter, blackberries, Bob Segarini, Charlottesville, Confederate Army, DBAWIS, domestic terrorism., prejudice, racism, Robert E. Lee, Roxanne Tellier, slavery, Unite the Right, Virginia on August 13, 2017 by segariniThere is a very nice house on the corner of my street. The back yard is surrounded by a tall fence, but as you walk by, you can peep through, and see that there is a lovely garden inside, with a deck, and a nice patio seating area. It’s all very well kept and tidy.
Plants peek out through the fence, as plants will. There are some flowers, and a few weeds, and some of those long, brambly, blackberry stalks, the sort that seem to go from manageable to ‘ow! that long branch just scratched my arm!” in a matter of seconds.
Frank Gutch Jr: Charlottesville Revisited (Revisited),
Posted in Opinion, Review with tags Charlottesville, DBAWIS, Devon Sproule, Don't Believe a Word I Say, Emily Remler, Frank Gutch Jr., Freewill Savages, Fur For Fairies, Hogwaller Ramblers, Indie Artists, Indie Music, Jamie Dyer, Keith Morris & The Crooked Numbers, King Wilkie, Larry Coryell, music, music videos, Paul Curreri, Peyton Tochterman, Ray Brandes, Records, Rude Buddah, segarini, Skip Castro, Sons of Bill, Spencer Lathrop, Sweet Home Oregon, Ted Pitney, Winterpills on May 3, 2016 by segariniThe reason Charlottesville is being (Revisited) is because I do believe that somewhere out there in the ether Charlottesville has already been Revisited and, hell, I am sure I confuse people often enough without reusing headers. It would be akin to writing a book and naming all the chapters “Chapter One,” which, now that I think about it, is a pretty good idea. But the second Revisited, placed in parentheses, separates the first from the second, does it not?
Frank Gutch Jr: Sheldon Gomberg: One of the Good Guys, Too Slim: Hot!!!, Charlottesville: WarHen and County Wide… The Phoenix Rises, My Father’s Day, plus Notes (you really should be reading them, you know)…..
Posted in Opinion with tags Charlottesville, county wide records, DBAWIS, Don't Believe a Word I Say, emiko woods, Frank Gutch Jr., henry boy jenkins, hymn for her, Indie Artists, Indie Music, Keith Morris, Morning Ritual, music, Records, Red Rattles, sally rose, Sarah White, Sheldon Gomberg, Sons of Bill, Sweet Relief, the firetapes, tom kell, too slim, WarHen Records on June 11, 2013 by segariniI wasted 75 minutes of Sheldon Gomberg‘s time last week. Do I feel crappy about it? You bet. I suppose 75 minutes doesn’t mean that much to many of you but then you probably don’t work as much as Sheldon does. See, Sheldon is a recording engineer and runs his own studio and after talking with many of that ilk, time is always of the essence. You’re working when you’re not working— going over the day’s session(s), preparing for tomorrow’s, organizing, always organizing. What? You think those albums just appear on your shelves?
Frank Gutch Jr: Grown in Charlottesville, An Early Look at Rounder Records (via Warner/Reprise and Peter Stampfel), and Notes…..
Posted in Opinion with tags Bobby Read, Buxter Hoot'n, Carleigh Nesbit, Charlottesville, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Holy Modal Rounders, Indie Artists, Indie Music, Jim Waive, John D'earth, Mister Baby, music, Paul Curreri, Peter Stampfel, Records, Rounder Records, Sarah White, Sons of Bill, Ted Pitney, Wrinkle Neck Mules on June 27, 2012 by segariniWhen I first started getting into music, really getting into music beyond AM radio and the string of hits I always thought was everything music, there were three cities. Only three. Los Angeles, Chicago and New York. Those were the three graced by the large offices of the major labels and those were the three which produced the vast majority of music which made it to the airwaves. Or so it seemed. Isolated in Oregon (and trust me, kiddies, it was isolation), the world looked so simple and yet so daunting, even on AM radio. Generalizations were common. Vocal groups all came from or at least came out of New York City. Soul was courtesy of Detroit and Chicago and Detroit. Surf music was West Coast and sand-infested. Country was all Bakersfield or Nashville. But they all were filtered through the Big Three: Los Angeles, Chicago and New York. That’s where the major labels lived. That’s where the money was. That was where artists went to make it big, no matter where they originated.