The first record store I ever frequented was in Eugene, Oregon— Thompson’s. I wanted to put “Record Mart” behind it but I am not sure how they labeled themselves. A building on the north end of the city, not too far from Skinner’s Butte, it was small, square and as I remember it, white, with large storefront windows behind which racks of records were displayed, mostly 45s, a small wall of listening booths, and stereo equipment— lots of it. I have no idea how I found out about it, being a small town boy who hardly ever visited the big city (and to me Eugene was big and a city), but I found myself one day, after much begging and emotional pyrotechnics, entering this Taj Mahal of vinyl. I remember it like it was yesterday.
Archive for Chrystalship
Frank Gutch Jr: I Have Seen the Future and It Wasn’t This…..
Posted in Opinion, Review with tags Aby Wolf, Bridget Kearney, Cargoe, Chrystalship, DBAWIS, Delicate Steve, Don't Believe a Word I Say, Frank Gutch Jr., House of Records, Indie Artists, Indie Music, Jim of Seattle, Kate Grom, licorice pizza, Malvina Reynolds, music, music videos, Nick Holmes, Peaches Records, Pete Seeger, Ratchell, Scratching the Records, segarini, Stephanie Lambring, Sweet Home Oregon, The Bankesters, The Lonely Wild, Tower Records, Wishbone Ash on January 31, 2017 by segariniNot the political future, which has turned out bad enough, but the music future which is floundering. I saw it going awry in 1992 when I left the retail record business as it morphed to a “music industry” I never recognized. I tried to make sense of it then, wondering why the decisions being made by not just major labels but by what then was becoming an entertainment conglomerate were so unerringly ridiculous. I need to watch the documentary on Tower Records, All Things Must Pass, in detail. I need to revisit the individual instances which brought down radio, records and everything else entertainment around our ears. I need to understand who was in power, if indeed anyone was, and who made the monumental mistakes which gave us the chaos we now have.
Frank Gutch Jr: My Journey As Brought To You By…..
Posted in Opinion with tags Ben Daniel, Bill Follett, Chris & Gileah, Chrystalship, Dan McLain, DBAWIS, Don't Believe a Word I Say, Erin & the Wildfire, Frank Gutch Jr., gary heffern, Heartsfield, House of Records, Indie Artists, Indie Music, James Call, KGB Chicken, licorice pizza, Mike Marino, music, Music Millennium, Peaches, Penetrators, Phil Keaggy, Pure Prairie League, Ramones, Records, Roadhead Chronicles, Ron Prindle, Shook Twins, Tom Griswold, Wilfrid Sheed on July 22, 2014 by segariniThe Corona School of Writing, Weinhard’s Private Reserve, record labels (major and independent) and just about everyone I have ever really known. So I sit here quaffing the ice cold Weinhard, waiting for that writing buzz and wondering where I will go with this because I have no real idea where I am going, only where I have been. I have been lucky, lucky like I cannot believe, but not lucky of my own making. I have been surrounded by good people— no, people more than good— and it is time I pay tribute to those and those things which have made me who I am.
Frank Gutch Jr: The Stores Are Alive With The Sound of Music….. plus Notes!
Posted in Opinion with tags Aron's Records, Blue Meanie, Campus Music, Cellophane Square, Chrystalship, DBAWIS, Dean's Golden Oldies, Don't Believe a Word I Say, Frank Gutch Jr., Frank Vignola, Gary Haller, House of Records, Illinois Speed Press, Indie Artists, Indie Music, Intergalactic Trading Company, Jim Swindel, licorice pizza, Longhair Music Faucet, michael fennelly, Monty Rocker, Music Millennium, No Small Children, Pacific Discount Records, Peaches Records, Records, Second Time Around, Stone Darling, Terry Currier, The Arcade, The Sun Shoppe, Thompson's Record Mart, Vinnie Zummo on April 23, 2013 by segariniI still get asked why I love record stores. Still. Older people shrug their shoulders and the young— well, let us just say that rolling of the eyes seems to be part of their DNA. Every time it happens, I think, hey, I wasn’t like that. Well, except for the time that Momma pointed out that Ernie Fields‘ rockin’ In the Mood was a cover of a Glenn Miller song.