In a recent interview with Classic Rock Magazine, Robert Plant was very frank about a number of things, including the possibility of writing his memoirs (nope) and the possibility of a Led Zeppelin reunion tour (not happening). When it was asked, he used the latter question to segue into something which I believe very strongly. “It shows you that people have nothing else to write about, obviously. And that’s kind of sad. All these magazines and internet platforms should be supporting new music and helping new musicians to find an audience, instead of dwelling on the old crap all the time. It’s like there is nothing new and exciting out there any more, when in fact there is. So stop living in the past. Open your ears and your eyes. It’s not that difficult, is it?” (The full interview can be read here.)
Archive for Classic Rock Magazine
JAIMIE VERNON – FREE TO BE U2 AND ME
Posted in Opinion with tags 7" singles, Apple, Bait and Switch, Beethoven, Bob Segarini, Canadian Music, CD Baby, CD singles, CDs, Classic Rock Magazine, Columbia House, con game, DBAWIS, devalue music, distribution, Don't Believe A Word I Saw, independent artists, iPhone, Jaimie Vernon, Major Labels, Molsons, monetizing music, Mozart, music retail, napster, on-demand, patrons, Prince, Queen Elizabeth, Ray Davies, shell game, The Orchard, The Trews, Thriller, TuneCore, U2, vinyl on September 27, 2014 by segariniJAIMIE VERNON – A NEW MUSIC WARDROBE
Posted in Opinion with tags AWOLNation, Big Wreck, Black Keys, Bob Segarini, Canadian Music, Classic Rock Magazine, Clutch, DBAWIS, Don't Believe a Word I Say, Jaimie Vernon, Monster Truck, Rival Sons, Sheepdogs, Taylor Swift, Terry Draper, The Enemy, The Respectables, The Rolling Stones, The Trews, The Who on May 17, 2014 by segariniI’ve done previous columns about the vacuous business that has become nostalgia-peddling so I have no interest in rehashing that…but I’m fascinated by the idea that people cling to it so desperately. The Boomer Generation has become really good at criticizing the newest trends in music but cannot shine the mirror back on their own sacred cows and say, in all honesty, “Hey, wait a minute. I’m getting half as much entertainment value as I used to at triple the price.” Folks would rather see (and hear) a simulation of The Who’s former selves with its surviving members doing the 32nd anniversary tour of their final show in various stages of disability (Townshend’s deafness and Daltrey’s failing vocal range) for $500 than something new and organic for $10 at the local pub. They’d rather watch the decrepit mummified remains of The Rolling Stones trot out predictable, laughable, cartoonish interpretations of their own back catalog and pay 10x the price for the insult because they copped their first boobie feel during ‘Angie’ in the 1970s.
JAIMIE VERNON: NO BITTERSWEET SYMPATHY
Posted in Opinion with tags Arrow-Haze, Black Keys, Bob Segarini, Canadian Music, Classic Rock Magazine, Clutch, David Letterman, DBAWIS, Don't Believe a Word I Say, Elbow, Frank Gutch Jr., Jaimie Vernon, Joe Bonamassa, Led Zeppelin, music, One-Eyed Doll, Radio That Doesn't Suck, Records, Red Fang, Respectables, Rival Sons, Rolling Stones, Taylor Swift, Texas Hippie Coalition, The Trews, The Who, Unsun, Within Temptation, Wolfmother on December 8, 2012 by segariniThis week I was told not once, but twice, that I “sound bitter”. You mean an antagonistic hostility? Hell, yeah. Guilty as charged. The provocation for being called bitter was my two brutally honest music comments online in separate conversations.
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