Pat Blythe – All That Jazz – Part V

I’m going to start with a quote from Encyclopedia Britannica. “Most early classical composers (such as Aaron Copland, John Alden Carpenter—and even Igor Stravinsky, who became smitten with jazz) were drawn to its (jazzes) instrumental sounds and timbres, the unusual effects and inflections of jazz playing (brass mutes, glissandos, scoops, bends, and stringless ensembles), and its syncopations, completely ignoring, or at least under appreciating, the extemporized aspects of jazz. Indeed, the sounds that jazz musicians make on their instruments—the way they attack, inflect, release, embellish, and colour notes—characterize jazz playing to such an extent that if a classical piece were played by jazz musicians in their idiomatic phrasings, it would in all likelihood be called jazz.

Pat Blythe – More Cowbell…..and moosic too!

Weather update…..sort of. Snow tires on. Check. Bag o’salt and snow shovel on the front porch. Check. Pots emptied of dirt and herbs harvested. Mostly. Backyard raked and tidied (three times). Check. Scrapers, shovel and snow brushes in the vehicle. Check. Boiler and heating system services. Check. I’m as ready as I’ll ever be to greet old man winter. It’s November and anything is possible. Snow is predicted for this week and even though, technically, it’s autumn until December 21, (winter solstice) I get this not so warm and fuzzy feeling those Colorado lows are getting lower and lower. Winter is going to be knocking on our doors sooner rather than later.