Archive for Coney Hatch
GWNtertainment #14 – Jaimie Vernon
Posted in music, Opinion, Review with tags 6ft Social Band, Adam Litovitz, Aza Nabuko, Barenaked Ladies, Betty Moon, Blue Light Studio, Bob Lanois, Bob Segarini, Bobby Byrnes, Canadian Music, Chris Millar, Chris Ronald, Christopher Ward, Claude Kent, Coney Hatch, Damn Truth, DBAWIS, Don’t Believe A Word I Say, Elephants And Stars, Emm Gryner, Evan C “Tadpole” Jones, Giant Tiger, Gino Gerussi, Gowan, GWNtertainment, Holly Cole, Hugh’s Room Live, Inside the Silence, Jaimie Vernon, James Clark Institute, Jim Lawlis, Julian Taylor, Ken Tizzard, Lighthouse, Little Courage, Maple Music Café, Mark Malibu & The Wasagas, Melleefresh, Moe Berg, New Yank Yorkies, Paul Bandt, Peter Foldy, Rob Laidlaw, Robert Corbett, Rude Van Steenes, Saga, Small Town Artillery, Sook-Yin Lee, The Great Fuss, The Marijuana Conspiracy, The Trews, Trains On Time, Vincent Price, WolfGrove on April 26, 2021 by segariniRoxanne Tellier: My Toronto – Part Two
Posted in Opinion with tags alice cooper, Ben Bergmann., Black Sabbath, Bob Segarini, Bomb Records, Brutus, Burton Cummings, Carole Pope, CHUM FM, CITY TV, Coney Hatch, Crowbar, DBAWIS, Divine, Don't Believe a Word I Say, Eaton Centre, El Mocambo, England Dan and John Ford Coley, Foot in Cold Water, Frank Soda, Garwood Wallace, Gary Cormier, Gary Topp, geoff pevere, Goddo, Hap Roderman, Hard Rock Café, Harlequin, Hellfield, Hotel California, Jackson Hawke, JoAnn Brooks, Kenny Shields, Kevan Staples, Killing Joke, Larry's Hideaway, Lou Reed, Maple Leaf Gardens, Max Webster, Mike Myers, Moxy, Nickelodeon, Nico, Ozzy Osbourne, Performer, Piccadilly Tube, Prakash John, Rough Trade, Roxanne Tellier, Rush, Saga, Steve Ambrose, Streetheart, Sun Ra, Teenage Head, The Bobcast, the Chimney, The Cramps, The Edge, The Forge, The Garys Martha and the Muffins, The Gasworks, The Lincolns, The Police, The Rolling Stones, The Viletones, Tim Curry, Tommy Ambrose, Toronto, True North, Twitch, Wayne/Jayne County, XTC on April 13, 2014 by segariniToronto was a different place in the late 1970’s and early eighties. Although it’s easy to look back with rose coloured glasses, it was, in fact, a watershed time for Toronto musicians. Everywhere you turned, you were surrounded by outstanding music, made by dedicated and very talented players, who enjoyed the freedom to create their art, and make a living at the same time.