Pat Blythe – Canadian Music Week 2017….The Finale

Before I pick up where I left off prior to Bob’s computer turning into a brick, I shall sidestep a titch and segue, for just a moment, into sessions. Yes…those relatively educational, supposedly non-biased, informative, enlightening, seminars/panel discussions or summits, as CMW refers to them. This is the core stuff delegates are actually paying for when they purchase a ticket. I listed the several different streams one can chose from in last week’s column, so I shan’t bore you with the details here. However, suffice to say, there is loads of opportunity to learn as well as “button hole” and query those with a cumulative hundreds of years of experience, and educate yourself in everything that is the entertainment industry. From Mentor’s Cafe to SOCAN, from touring to ticketing, from writing, producing and publishing to understanding Indie labels and Indie rights….and that’s just the music stream.

Roxanne Tellier – Canadian Music Week 2017

My CMW is always a little bit different than most other people’s. Some go for the conferences, some are all about the music. Still others go for the trade show and the mentoring. But me – I go to people watch.

Like, on the first day I hit the Sheraton, to pick up my pass and get the lay of the land. Some people were looking for their friends, or checking out those who tend to get their names in newspaper bold face …  Me, I was in the lobby of the crowded Sheraton Hotel, watching a young male couple dress their teensy tiny pocket puppy in all new Hudson’s Bay swag.

Pat Blythe: CMW — Over and Out Part 2 – Until We Meet Again

I was overwhelmed with what CMW had to offer. So much to see and do, so many contacts to make, so much to learn and waaaay too many clubs to hit. Impossible in ten days but we all do our very best.