September…..the beginning of my favourite time of year. There’s something so crisp and refreshing…..a newness spring doesn’t possess. New jobs, new schools, new grades, new homes, new lives…..September to me has always meant “beginning”. Maybe because it’s the month of my birth, or maybe it’s all the fall colours and brightness of the air, but I always feel inspired and invigorated in the comfortable cool months of fall. Of course, all things pumpkin spice doesn’t hurt either!
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Pat Blythe – Hello September…..music news…..and music
Posted in Canadian Music, COVID 19, life, music, Opinion, Review with tags Alessia Cohle, American Songwriter Lyric Contest, Blue Mountain, Bob Segarini, Carson Koa, Cathy Young, Cherish Stevenson, Cherry Cola’s, Collingwood, Country Cares, DBAWIS, dear rouge, Don't Believe a Word I Say, Don’t Believe A Word I Say, Downchild Blues Band, Elyse Saunders, Emm Gryner, Everyday People, Feist, Hawksley Workman, Hot Lips, James Blonde, Jason McCoy, Junction Craft Brewery, Kansas Stone, luvthemusic, Michie Mee, NEWSAID, Pat Blythe A Girl With A Camera, Podbean, podcast, Pretzel Logic, Rik Emmett, Samantha Martin & Delta Sugar, Sarah Smith, Sinful Sundays, Southside Shuffle, Suzi Kory, Suzie Vinnick, Tara Sloan, the Bovine Sex Club, The Carole King Songbook, The Pandemic Interviews, The Redhill Valleys, The Shuffle Demons, Timothy’s Pub, Tom Wilson, Touring, Tribal East, Unison Benevolent Fund, We The Crooked, West End Phoenix, Xprime on September 8, 2021 by segariniPat Blythe – ONES, The LaMagna Cartel, Jully Black and …Music!
Posted in music, Opinion, Review with tags A Girl With A Camera, A Girl With A Camera "The Picture Taker", Buzzaw, Canadian Music Week, Castro's Lounge, Centre In The Square, Cinema Face, CMW, Country Cut 'n Curl, DBAWIS, Don't Believe a Word I Say, Downchild Blues Band, Franco LaMagna, Frank Russell, Geoff Willingham, Hugh's Room Live, Jane Harbury, Johnny Wright, Jully Black, Lee Aaron, luvthemusic, Man of La Mancha, Moxy, O'Keefe Centre, ONES, Pat Blythe, Phoenix Concert Theatre, Richard Kiley, Sam Taylor, Sony Centre, Sony Centre for The Performing Arts, The Beach Toronto, The Gasworks, The Grand Theatre Kingston, The Outrigger, The Salty Dog, Vince LaMagna on March 27, 2019 by segariniA Philosophic Moment….
Here we are…..right where we’re supposed to be. Precisely at this spot…..in this instant….this moment in time. Think about it. I’m sitting here typing away. Sometime later today or tomorrow, you’re sitting there reading what I am now typing, while I’m already doing something else. Now, look up and let your eyes roam around. What do you see? I’ll tell you what I see? I see a life that has unfolded and significantly changed over the past five years. I see my kitchen, the twinkle lights, the coffee and tea supplies waiting patiently…. I see my kitchen witch on her broom bringing me luck and the bookcase holding all my cookbooks…..the last thing Chris built for me. I see the sweet potatoes and pears, lounging on their plate until it’s time for the soup pot. I see my drums, piano and guitar……a big comfy couch. I see the home I’ve created and welcomes all who enter. I see my fingers on a keyboard typing inanities and loving every minute of it. How does it make me feel? Happy! I do indeed love my life and all those who have become a part of it. So, as you read this, stop, wherever you are, at this exact instant (your instant in time), take a moment to look around. What do you see? How do you feel? Be Here Now. Continue reading
Roxanne Tellier: My Toronto – Part One
Posted in Opinion with tags Boys Brigade, Buddy Guy, Cameo Lounge, Chick n Deli, Cleveland, DBAWIS, Dixieland Jazz Matinee at Grossman's, Downchild Blues Band, Ellen McIlwaine, Goddo, Honeymoon Suite, Hotel California, Howling Wolf, Isabella Hotel. I Get Dizzy At The Izzy, Jane Vasey, Jesse Winchester, Kid Bastien's Camelia Band, Knob Hill Hotel, Louise Lambert, Mad Mechanic, Muddy Waters, Peter Appleyard, Piccadilly Tube, Q107, Queensbury Arms, Ramblin’ Jack Elliott, Reckless, Regatta, Roxanne Tellier, Santers, Spats, Sylum, The Cameo Blues Band, the Chimney, The Forge and Nickelodeon, The Gasworks, the Happy Pals, The Hunt, The Izzy, The Jitters, The Shammy, The Shamrock, Tony’s East, Triumph, Ye Olde Brunswick House, yonge street, Zon on April 6, 2014 by segariniCam Carpenter’s recent DBAWIS column on Toronto venues reminded me of how impressive the city’s music scene was back in the day. In the late 1970’s and early ‘80’s, the city was awash not only in great clubs, but in terrific musicians working six or even seven days a week, entertaining delighted, enthusiastic crowds.
You couldn’t toss a rock without hitting a working musician back then. We were everywhere, making a decent living, doing what we loved to do. Demand for live music was high, and most of us tried our damndest to rise to the listener’s expectations.