I always seem to playing catch-up. I’ve managed to reduce the number of projects by a whole two. There’s a very, very, very long list of shows and photo’s that need to be addressed (metaphorically speaking) before I start loading up the flash drives on the camera again. September came and went in about 30 seconds….and in that 30-second clip it was go, go, go with music, music and…….yep, more music. When at home there were brief forays to the fridge for what sustenance could be found and the occasional trip out to the back deck to savour a Bombay Sapphire. With the weather being what it was, and still is, we can all be excused for thinking it’s still mid-August and Christmas is months away. Ya right!!!! Heeeeeere’s October and the back end of Thanksgiving. Hang on to your hats, it’s December tomorrow……
Archive for Frank Cosentino
Pat Blythe – Herve Bassett, Tom Cochrane and Blonde…James Blonde…..
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Anjulie, Atlantic Records, Blushing Brides, Bob Segarini, Cadillac Lounge, Capital Records, Celebration Square, Dale Harrison, Davide DiRenzo, DBAWIS, Don't Believe a Word I Say, Drake Underground, Francesco Yates, Frank Cosentino, Guenther Kapelle Wild T & the Spirit, Headstones, Herve Bassett, Hideout, James Blonde, James Green, James Green Electric, Jeff Jones, Jerome Godboo, Justin Timberlake, Ken Greer, Laura Lee Montgomery, Marshall Dane, Miami Vice, Mike Hopley, Neil Carson, Pat Blythe, Pharrell Williams, Phil Taylor, Red Rider, Rockpile, Shawn Brady, Soundbites 2017, Steph Mercier, Susan O'Quinn, Tequila Rocking Birds, Tom Cochrane, Toney Springer, Toronto Moon, Vision Quest on October 11, 2017 by segariniPat Blythe: Keeping the music alive…one “note” at a time
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", AHI, Alex Fisher, Aporia Records, Ballroom Babies, Beethoven, BlackDog Ballroom, blues, Bob Segarini, Cherish Stevenson, Cherry Cola's, Chris Brown, Dave Langguth, DBAWIS, Desert Star, Don't Believe a Word I Say, Dylan Lazon, Evolved, Frank Cosentino, Gene Pool, Gene Scarpelli, Gingerale and The Monowhales, Gino Scarpelli, Guenther Kapelle, Jimi Hendrix, Joe Vilardo, John Jamieson, Julian Taylor, Karl Anderson, Kew Gardens Toronto, Lee's Palace, Michael Williams, Mike Ford, Mozart, Mushy Callahan, Nate Baylor, Nefe, Nikki Whitehead, Nikki's Wives, Pat Blythe, Penny Oleksiak, Peter Kashur, Roxanne Tellier, Sam Taylor, Secret Broadcast, Simon and Garfunkel, Soundhouse Studio, The Downtown Love, The Rockpile, Toney Springer, We Made It Through the Wreckage, Wild T and The Spirit, Xprime on September 21, 2016 by segarini
It has indeed been a busy summer for everyone. 2016 has been a peculiar, curious and rather dramatic year. A year of extreme change, upheavals, death, excessive busyness, new connections, sheer stupidity, life transformations and adjustments — nothing has been minor. It’s all been “in our faces”, screaming and shouting at us, begging us to take notice, pleading with us to address whatever is coming at us. I think many will be glad to see the back end of 2016 and look forward with hope to 2017. No, this is not a ‘year-end’ column, just a bit of reflection on the summer that seemingly whizzed by and all that happened in just that short timeframe.
Segarini: Don't Believe a Word I Say 