Looking back has become a thing of the present lately. It began when I felt a guilt sneak over me because so many of the artists I have written about have seemingly passed their buy-by date. The listening public, it seems, only want the past in terms of oldies or the classics. God forbid they should let the music decide for them. Add to that my inability at times to come up with fresh subject matter and a nostalgic bent and it seems the logical choice. It is doubtful that many of you have read many of my columns from the distant past and those who have probably have lost the gist. So why not visit the past here and there? I have gleaned through many columns and have picked a handful of segments I believe will be of interest to a wide variety of readers. Let us start with one overlooking the Pac Northwest, titled…
Archive for Hi-Fi
Frank Gutch Jr: Consider These Reruns (Glimpses From the Past); Plus Notes of a Lugubrious Nature
Posted in Opinion, Review with tags Actual Wolf, Allman Brothers, Amazing Rhythm Aces, Andy Gabbard, Band of Heathens, Big Motif, Capability Brown, Carrousel, Chuck McDermott, Dave Gleason, DBAWIS, Deer Tick, Don't Believe a Word I Say, Frank Gutch Jr., Goblin Market, Green Pajamas, Ha Ha Tonka, Hi-Fi, Iain Matthews, Indie Artists, Indie Music, Jim Waive, Lost High Rollers, Mark Ashton, Michael Nesmith, music videos, My Darling Clementine, Nicki Bluhm, radio, Ransom & The Subset, Records, Robert Johnson, segarini, Stagecoach, Sweet Home Oregon, Talbot Brothers, The Fuzzy Crystals, The Gramblers, The Rockets, Wet Willie, Young Divorcees, Zoe Muth on July 18, 2017 by segariniFrank Gutch Jr: Between Assignments? A Look at a Few Bands Which Weren’t, Really… Or Were They? Plus Them Nefarious Notes
Posted in Opinion, Review with tags 100 Year Flood, Anna Fermin, Baby Woodrose, Bobby Messano, Bridey Murphy, Bruce Hazen, Burkney Jack, Butch Trucks, Cindy Lee Berryhill, Danny Barnes, David Brown, David Surkamp, DBAWIS, Dion, Don't Believe a Word I Say, Duane Allman, Elton Duck., Frogville Records, Gary Duncan, gary heffern, Gregg Allman, Hi-Fi, Ian Matthews, Indie Artists, Indie Music, Jealous Butcher Records, Jeff Finlin, Jill Stevenson, Jim Basnight, Keb’ Mo’, kelly flint, Kris Angelis, music, music videos, No Depression, No Small Children, Norton Records, Peter Blecha, Phil Moore, Quicksilver Messenger Service, radio, Raelyn Nelson, Ray Brandes, Records, San Diego, Scott Boyer, segarini, Skyboys, Sweet Home Oregon, ThaMuseMent, The 31st of February, The Geraldine Fibbers, The Sidewalk Scene, Thomas Wynn & The Believers, Trigger Gospel, Unholy Dreams, Walter Spencer on May 16, 2017 by segariniI was looking through the Book of Face pages the other day and ran across a post about The Sidewalk Scene. I remember them, friend Ray Brandes having been a frontman for them how long ago? Two years so? Three years? The post linked to a page which showcased four studio-produced tracks, all jangly and sixties-oriented. Music, in fact, that I remember fondly.