The more I try to express my thoughts and feelings on the documentary, “Echo in the Canyon”, the more frustrated I get trying to put my finger on what, exactly. those thoughts and feelings are. After every viewing of the well-meant, but ultimately lacking mash-note to the tiny L.A. Basin enclave which had had a disproportionate impact on popular music, songwriters, and artists around the world, I became further and further upset with its lack of connective tissue to its subject, and started to feel uncomfortable just looking for something positive to say.
Archive for Jac Holzman
Segarini: David Anderle
Posted in Opinion with tags Art, Beach Boys, Bob Segarini, Brian Wilson, Cherry Cola's, David Anderle, DBAWIS, Don't Believe a Word I Say, Elektra Records, Frazier Mohawk, Jac Holzman, Los Angeles, music, Records, Rita Coolidge, Smile on September 3, 2014 by segariniThere were at least eleven of us sitting around the restaurant table. It was an impromptu dinner, decided upon on a whim. No vote, no forethought, just a bunch of like-minded people who found themselves together and decided they were hungry.
Segarini: Frazier Mohawk – Send in the Clown Part Two
Posted in Opinion with tags Billy James, Cherry Cola's, David Anderle, DBAWIS, Don't Believe a Word I Say, Elektra Records, Frazier Mohawk, Jac Holzman, Jackson Browne, John Haeny, Keddie California, Koerner and Murphy, Mark Paar, Martin Melhuish, music, Paxton Lodge, Pucks Farm, Running Jumping Standing Still, segarini, The Elektra Rock Ranch on June 8, 2012 by segariniPart One can be found here.
Paxton Lodge was a remote mountain retreat that became a famed legendary gathering place and recording studio for some about-to-be well known musicians of the late 1960’s and early 1970’s, including Jackson Browne. Frazier Mohawk (Barry Friedman), with support from Elektra boss Jac Holzman, was the moving force behind the lodge. At times the lodge began to take on the quality of a commune, with musicians and visitors constantly moving in and out for brief and longer stays.