I am swamped with another project that is sucking up all my time during the waking hours. I have less than two weeks to complete it and it’s seems to be growing arms and legs I wasn’t expecting. So…..just to rehash a bit of blues history, specifically the ladies, I thought I’d have my editor post this again as many of you have probably not seen it. I wrote three series, Women of Rock, Women of Blues and Women in Song. The Women of Blues was actually inspired by a contemporary whom I saw for the first time a couple of years ago. She had dedicated her latest album to a female blues artist I had never heard of. Read all about her and the women who contributed so, so much to the genre we call the blues. The famous and not so famous. They were tough, talented, single-minded, sexually liberated, passionate and most of them had more balls than the men. Read on, you might even learn something.
Archive for John Lee Hooker
Pat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.
Pat Blythe: The Women of Blues
Posted in Opinion with tags Alannah Myles, Algiers, Aretha Franklin, Beale Street, Bessie Smith, Betty Garon, Big Bill Broonzy, Big Momma Thornton, Black Velvet, blues, Blues Hall of Fame, Bob Segarini, Bonnie Raitt, boogie woogie, Broken Heart, Bumble Bee, Chauffeur Blues, Chess Records, Chicago, Chicago blues, Christopher Blythe, Columbia Records, country blues, DBAWIS, Decca, Dinah Washington, Don't Believe a Word I Say, Erin Harpe, Ernest Lawlars, Etta James, Frisco Town, Going Back To Texas, I'm Salin', Ida Cox, Janis Joplin, Jefferson Airplan, Jeil Nursing Home, Jimmy Rodgers, Jo Ann Kelly, JOB Records, John Lee Hooker, John Roach, Johnny Shines, Julia Lee, Kansas Joe McCoy, Ken Jarvis, Kid Douglas, Kissing in the Dark, Langston Hughes, Led Zeppelin, Lester Melrose, Little Son Joe, Lizzie Douglas, Louisiana, Lucille Hegamin, Maria Muldaur, Maxine Sullivan, Mazzy Star, Me And My Chauffeur, Melrose sound, Memphis, Mount Zion Memorial Fund, Muddy Waters, National, New Hope Baptist Church Cemetery, Pat Blythe, Paul Garon, postwar blues, R&B, Ringling Brothers, Rolling Stones, Roosevelt Sykes, Sarah Vaughan, She Hangs Brightly, Signe Anderson, St. Louis Jimmy Oden, Tennessee, Texas Tessie, That Will Be Alright, The Lydia Taylor Band, urban blues, Victoria Spivey, Vocalian, Washboard Sam, When The Levee Breaks, Woman with Guitar: Memphis Minnie Blues, World of Trouble, You Got To Move (You Ain't Got To Move), You Wrecked My Happy Home on May 27, 2015 by segariniPrologue….
Anyone heard of Memphis Minnie? How about Ida Cox, Victoria Spivey, Lucille Hegamin, Julia Lee or Maxine Sullivan? Me neither. How about Bessie Smith, Etta James, Sarah Vaughan, Aretha Franklin, Big Momma Thornton, Dinah Washington or even Janis Joplin. The latter are a smattering of the ladies most frequently thought of or mentioned when we think of great female blues singers….the former, not so much.