Pat Blythe – The Women of Rock Redux Part 2 – SOOOOOOZZZZZEEEEE…..and music

I seem to mixing up some of this series as I come across various versions from six years ago. I had Suzi with Joan and Chrissie but I’ve covered the latter two already. Beside, Suzi deserves her own column. So….although today’s piece is all about the Suzi Q, Joan and Chrissie are still part of her story.

I hadn’t thought of Suzi in ages…..eons really and surprisingly, out of the three women Suzi is the only one I’ve actually seen live. So, after trolling the internet (still my permanent residence these days six years later) I began to connect the dots and realized that not only she was a contemporary of both Joan and Chrissie, all three were the leaders of their own bands, a rarity for the times.

Pat Blythe – Women of The “Traps” – Part Two

Let’s just dig right in shall we. Female drummers, and I’ll add percussionists, span the globe.  From Israel to Iran, from China to Europe and back to North America. Although it’s the guys who seem to be in the forefront, drumming is not a just a “manly” profession (and neither is electric guitar but that’s for another discussion). Women have been drumming since…..well….. the very beginning.

Pat Blythe – Women of The “Traps”- Part One…and Music!

“Developed primarily in the United States, early drum kits were known as traps kits (short for trappings) and usually consisted of a bass drum, a snare drum on a stand, a small cymbal and other small percussion instruments mounted on the bass drum or a small table, all played with drum sticks or brushes except for the bass drum.” — Wikipedia\

“A synonym for “drum kit” this term was used earlier, when drums and percussion were beginning to be assembled into a single “station,” playable by one drummer. The story goes that early kits contained a tray that held percussion “contraptions,” such as cowbells, whistles, and other items. “Contraptions” was shortened to “trap,” eventually becoming “trap kit”.”  –Sweetwater Sound

Pat Blythe: Women of Rock – Part Two

Ch-ch-ch-cha-changes

I have been slowly getting to know my fellow writers, conversing with them through Facebook, email and over the phone. A what! Yep, a real live telephone. You know, those devices that allow you to actually hear what the other person sounds like while enjoying honest-to-goodness dialogue. Fingers seem to do more walking and mouths less talking these days. We are no longer an oral society. The world of banter, tete-a-tetes and nattering have gone the way of such foods as pineapple upside down cake. (remember those) Mmmmmm……

Doug Thompson: HAL BLAINE – DANCE TO THE DRUMMER MAN!

My last blog on January 26^th on “The Wrecking Crew” documentary went through the roof in terms of readership, so Boss Segarini tells me.  I think that’s mainly because Denny Tedesco, the Director of the documentary about the session musicians of the ‘60’s and ‘70’s, re-posted it to his list of contacts.

Roxanne Tellier – But It’s Too EARLY!

I know, I know … it’s too early to be listening to Christmas and holiday music. But on Thursday I spent my birthday serenading senior citizens at their seasonal parties, and I haven’t stopped feeling a little festive ever since.