Karl Fredrick Anderson | Segarini: Don't Believe a Word I Say

Archive for Karl Fredrick Anderson

Frank Gutch Jr: Sometimes the Past Is the Future (and Sometimes the Past Is Just the Past)— Revisiting Items Which Beg Revisiting…..

Posted in Opinion with tags Big Star, bill jackson, Brian Cullman, Byron Isaacs, Charlie Faye, Claire Holley, David Getz, DBAWIS, dixie bee-liners, Don't Believe a Word I Say, Fearless Kin, Frank Gutch Jr., Garth Brooks, Gold Heart, Heartsfield, Indie Artists, Indie Music, Karl Fredrick Anderson, Lost Leaders, Madisons, music, Music Radio, No Small Children, Ophelia Hope, radio, Records, Runaways, segarini, Stu Nunnery, susan james, The OF on June 9, 2015 by segarini

Lots going on in music these days— Apple announcing their foray into streaming (I love the headlines such as “Apple May Save the Recording Industry”— I mean, what idiot thought that one up?) and the Brian Wilson biopic (My buddy Stan Twist says that if you are either a Brian Wilson or a Beach Boys fan, you won’t want to miss it) and there are lots of new albums to go over. And, as always, old ones too. But…

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Frank Gutch Jr: Vinyl Coming Back? May-beeee, There Is Just Not Enough Time, Karl Fredrick Anderson Chimes In On Spotify Etc., and Notes…..

Posted in Opinion with tags DBAWIS, Don't Believe a Word I Say, Fire Tapes, Frank Gutch Jr., Freedom Hawk, Indie Artists, Indie Music, Jon Gomm, Karl Fredrick Anderson, Kate Isenberg, Kink Ador, Pandora, Pop Culture Press, Quadrophonic, Records, Red Rattles, Sandrider, Sarah White, Spotify, Sydney Wayser, The Delta Saints, The Lonely Wild, The Stray Birds, Ticktockman, vinyl, War Hen Records, Xenat-Ra on January 9, 2013 by segarini

There are a large number of reasons I love writing for DBAWIS. For one thing, I get to write amongst some of the best writers out there. I have had it in my mind to put together a list of must-read columns with thumbnail reviews and easy links so others could read what I have read, though I am sure with different eyes. You see, I found DBAWIS very early in its existence, when Bob Segarini was writing what was then his column for FYI Music in Canada. At first, I was just following Segarini, a musician I much admired after having interviewed him for Pop Culture Press for their “Summer of Love” issue.