Back in the days when music ruled the world, we all had our benchmarks. The night The Beatles played Ed Sullivan. That day at Altamont. The many deaths of greats and those who would have been greats, from Buddy Holly to Duane Allman and too many others. Musical moments which marked where you were in your life and how important music was. Because music used to be that important.
Archive for KSHE Radio
Frank Gutch Jr: Gypsy: Rock and Roll Nomads – The Documentary; Steve Lalor R.I.P.; Plus a Few Delicate Little Notes
Posted in Opinion, Review with tags Antithesis, Atlantic Records, Ben Daniel, Bill Lordan, Chicago, Clara-Nova, Daily Flash, DBAWIS, Don't Believe a Word I Say, Doni Larson, Emily Wells, Enrico Rosenbaum, Fantastic Negrito, Frank Gutch Jr., Gazzarri's, Glen Pace, Gypsy, Henry Jamison, In the Garden, Indie Artists, Indie Music, James 'Owl' Walsh, James C. Johnson, James Walsh Gypsy Band, Jay Epstein, Jerry Lynn Williams, Keith Morris & The Crooked Numbers, KSHE Radio, Linda Waring, Low Lily, Metromedia Records, Minneapolis, music, music videos, Neil Merryweather, Nicki Bluhm, Okkervil River, Psychopaths & Sycophants, radio, Randy Cates, Records, Rock & Roll Nomads, segarini, Steve Lalor, Sweet Home Oregon, Sydney Wayser, Terry Kath, The Whiskey, Tony Peluso, Unlock the Gates, Wally Walstad on April 3, 2018 by segariniFrank Gutch Jr: Random Thoughts On a Rambling Past (Plus Notes)
Posted in Opinion with tags Abramson Singers, Anne McCue, Cam Newton, David Olney, DBAWIS, Don't Believe a Word I Say, elliott randall, Frank Gutch Jr., Gary Puckett, Gypsy, Indie Artists, Indie Music, Jim Dawson, Jubal Lee Young, KSHE Radio, music, music videos, Records, segarini, Stu Nunnery, The Monroes, Zig Zag Magazine on September 30, 2014 by segariniI watched/listened to a short clip of a Jim Dawson concert this past week. Most of you don’t know the name, I am sure, but Dawson was at the forefront of my obsession with records back in 1971 and his Songman album is a treasure I would not part with except to Dawson himself. He was part folkie as were so many back then— the beginning of the real singer/songwriter movement— and experimenting with layers of sounds.