Meet Dan Phelps, if you have not already done so. I first ran across him over a decade ago when he was working with both Bill Pillmore and his daughter Jess Pillmore on their respective albums, Look In Look Out and Reveal. Bill was an original member of Cowboy and I had heard through Scott Boyer, another original member of that venerable band, that he was recording for the first time, to my knowledge, since Cowboy‘s excellent 1971 release, 5’ll Getcha Ten. When I contacted him, he was in full recording mode, working with Phelps, whom he had chosen to produce. To my amazement, Phelps did more than just produce. He was a sideman and a damn good one, a creator of good licks and solid musical ideas. It was a first look at a musician I would follow from that point on.
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Archive for Lila Blue
Frank Gutch Jr: Musicians on a Mission: Dan Phelps, Julian Taylor, Wes Swing, and Jimmy Lee (formerly Lee’s Company)… Plus a lugubrious panorama of Notes
Posted in Opinion, Review with tags ...and the heart, Amy van Keeken, Bill Baird, Bill Pillmore, Colleen Brown, Crushed Out, Curtis Mayflower, Dan Phelps, danny schmidt, DBAWIS, Devon Sproule, Diet Cig, Don't Believe a Word I Say, Elephant Revival, Frank Gutch Jr., Indie Artists, Indie Music, jess Pillmore, Jimmy Lee, Julian Taylor, Kelly MacGregor, Lila Blue, Lisbee Stainton, Matt Chamberlain, Modular, music, music videos, radio, Records, Reveal, segarini, Sweet Home Oregon, The Secret Sisters, Thee Holy Brothers, Through a Fogged Glass, Tift Merritt, Viktor Krauss, Wes Swing, White Mansions, Zmei3 on April 11, 2017 by segariniFrank Gutch Jr: The Bluest Skies You Ever Seen: A View, Not a History, of Seattle Rock Music; Plus a Couple of Notes…..
Posted in Opinion, Review with tags Arthur Roberts, Bill Scorzari, Bob Blackburn, Book of Hours, Capping Day, Danger Bunny, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., George Romansic, Green Monkey Records, Green Pajamas, Howie Wahlen, Indie Artists, Indie Music, Jeff Kelly, Jon Auer, Ken Stringfellow, Kim the Waitress, Laura Weller, Lila Blue, Liquid Generation, Mike Musburger, music, music videos, Poison in the Russian Room, radio, Radio Van Gogh, Records, Son of Man, Sweet Home Oregon, The Posies, Tom Dyer on February 22, 2017 by segariniAnd it’s my view. It won’t mention Heart except to say that I knew their days were well past when they became a tribute band (and it was long before The Kennedy Center performance) and it won’t mention Nirvana because, let’s face it, Nirvana has already been mentioned enough (Okay, I might mention them once). I might mention Perry Como, though, because he had the hit with those lyrics and I might mention Bobby Sherman (just for the hell of it). I will mention many artists and bands of evidently little consequence outside of that fair city because I certainly do not hear them mentioned by people outside the Pac Northwest (by the people I know, anyway). But first, should you think Seattle a mere backdrop for movies and TV programs, let us look at what the youth think, and before you start pounding the keyboard in protest, I have not vetted the information and don’t really care (though having lived in Seattle for over thirteen years, I can attest to the fact that everyone does love Dick’s… Drive-In, and how can you not love the fact that they have a train/trolley called the SLUT). I’m just glad to see the youth making this attempt: