The single greatest living Canadian since Stompin’ Tom, who loudly and proudly celebrates a Date of Birth once again on July Five, answers: Continue reading
Archive for Little Richard
GARY PIG GOLD WITH EIGHT QUESTIONS For NARDWUAR (The Human Serviette)
Posted in Interview, music, Opinion, Review with tags Bob Segarini, Brian Wilson, Counts, DBAWIS, Don't Believe a Word I Say, Five Canadians, Gary Pig Gold, Gilligan's Island, Little Richard, Munsters, Nardwuar, Sid King, Squirtgun, Yvonne De Carlo on June 29, 2020 by segariniRoxanne Tellier – What’s That In Your Pants?
Posted in Opinion, Review with tags Amnesty International, Big Think, Bob Segarini, Bruce McDonald, CHUM, civil rights, Coach House, Constitution, DBAWIS, Department of Defence, Funkadelic, G.I. Joe, Henry Rollins, Holy Book, homophobic, Jackie Shane, James 'Mad Dog" Mattis, LGBTQ, Little Richard, Los Angeles, Mar-a-Lago, Marion James, Mexico, Michael Rancic, Now Toronto, Numero Group, Peter Principle, POTUS, Roxanne Tellier, Sapphire Tavern, Sarah Huckabee Sanders, Secretary of Defense Ash Carter, The Motley Crew, transgender, Viagra on August 6, 2017 by segariniIf anyone had said to me, even a couple of months ago, that in July of 2017 the President of the United States would suddenly decree, apropos of nothing, and via Twitter no less! to “please be advised that the United States Government will not accept or allow Transgender individuals to serve in any capacity in the U.S. Military” I’d have snorted like an outraged donkey.
Pat Blythe: St. Paul & The Broken Bones AND The Julian Taylor Band AND The Toronto Urban Roots Festival!
Posted in Opinion, Review with tags Al Gamble, Alan Branstetter, Andrew Lee, Ben Griner, Billboard 200, Bob Boilen, Bob Segarini, Browan Lollar, CBS This Morning Saturday, Darryl Weeks, David Engle, David Letterman, DBAWIS, Derek Giberson, Don't Believe a Word I Say, Fort York, Garrison Common, Half The City, James Brown, Jarrod Ross, Jeremy Elliott, Jesse Phillips, John Pagnotta, Josh Piche, Julian Taylor, Julian Taylor Band, Lee's Palace, Little Richard, Norman Ryan, NPR Morning Edition, Ol 'Elegante Studios, Otis Redding, Pat Blythe, Paul Janeway, Rolling Stones, St. Paul & The Broken Bones, StageFright Publicity, Staggered Crossings, StagX, Tech Noir, The Horseshoe Tavern, The Picture Taker, The Secret Dangers, Thirty Tigers, Toronto Urban Roots Festival, Traci Thomas, TURF, Warner Music Canada, Wilco on September 23, 2015 by segariniI “discovered” these guys buried in one of the DBAWIS columns a few months ago. I have since hunted down as many videos as I can find to listen to them. Their performance on The Letterman show is still one of my favourites.
Pat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.