Frank Gutch Jr: Musicians on a Mission: Dan Phelps, Julian Taylor, Wes Swing, and Jimmy Lee (formerly Lee’s Company)… Plus a lugubrious panorama of Notes

Meet Dan Phelps, if you have not already done so.  I first ran across him over a decade ago when he was working with both Bill Pillmore and his daughter Jess Pillmore on their respective albums, Look In Look Out and Reveal.  Bill was an original member of Cowboy and I had heard through Scott Boyer, another original member of that venerable band, that he was recording for the first time, to my knowledge, since Cowboy‘s excellent 1971 release, 5’ll Getcha Ten.  When I contacted him, he was in full recording mode, working with Phelps, whom he had chosen to produce.  To my amazement, Phelps did more than just produce.  He was a sideman and a damn good one, a creator of good licks and solid musical ideas.  It was a first look at a musician I would follow from that point on.

Frank Gutch Jr: The Anatomy of a Masterpiece, Part One: Dan Phelps, Plus Notes…..

 

The masterpiece in the header is none other than Jess Pillmore‘s Reveal, a 2005 release which swept me away and earned my pick for Album of the Year.  I don’t think there is a person out there who would not raise the brow, but like that old crusty umpire, I call them as I hear them.  I undoubtedly have most if not all of you at a disadvantage.  You have not heard the album and even if you have you have not studied it.  You are therefore unaware of the sweat and blood and emotion and, yes, genius which sets this album apart from so many others.  At first listen, even I had little inkling what was beneath the songs themselves.  At twenty listens I began to have an idea.  By one hundred, I knew.

Frank Gutch Jr: Jon Strongbow: Meltdown in Alien City— Plus Notes…..

There are thousands of stories in Music City and this is one of them.  It involves a young musician— in fact, a young artist, as Jon Strongbow dabbled in many different arts, possibly even the occult.  A musician implanted with an idea which would end up almost destroying him and yet become a central point from which the rest of life would emanate.

If that sounds ominous or convoluted, it should.  Strongbow’s existence cannot have been easy, what with sidesteps into mental institutions and through mental windows while the reflection in the mirror of reality kept morphing.  And yet he adapted.

Frank Gutch Jr: Lost & Found

A few days ago, I saw a picture of a couple of Darrell Vickers‘ friends and fellow band members standing before a wall of vinyl, only a small portion of a collection which more than likely takes up a whole house.  Vickers has been digitizing and posting the most rare (and most odd) of the records under the guise of Radio Vickers, a hobby which thus far has handed many a fan of oddities music that which they might not have ever found.  You never know what you’re going to find when Darrell points the finger, but one thing I did find and am thrilled to have found, actually, is a collection of odd bands from down under recreating the original Nuggets: Artyfacts from the First Psychedelic Era, this one titled Antipodean Interpolations of the First Psychedelic Era.  Bands like Velociraptor and The Gooch Palms and King Gizzard and the Wizard Lizard and The Murlocs serving up covers of The Standells‘ Dirty Water and  Sagittarius‘s My World Fell Down and The Leaves‘ Hey Joe.  And that’s just the tip of the Vickers iceberg.