Armed with my “media” credentials, my guidebook and my Metropass, I took on Canadian Music Week. (Note that all of the bands/artists that I mention in this column have Facebook pages, and are well worth further study, should you feel so inclined. It was a very busy week!)
Archive for Metropass
Peter (Beer) Barrels through CMW 2018
Posted in Opinion, Review with tags "Anthems in Ashes", "Atomic Tomb", "Eklectik", "Gnarly Horse", "Hotel Mira", "Iggy Pop And The Stooges", "Kilmore", "Lyric Dubee", "Mount Farewell", "Mulligrub", "Nahga", "Revelations", "The Alpacas", "The Julian Taylor Band", "The Original Kid Rock", 94.9 The Rock, Adelaide Hall, BlackDog Ballroom, Brandon Gregory, Canadian Music Week, Cherry Cola's, Cleopatrick, Crown Lands, Darryl Hurs, David Bowie, Don't Believe a Word I Say, Doug Elliott, Drop Top Alibi, dylan hennessey, Fortunate Losers, Indie Week, Ivory Hours, James Blonde, Junction City Music Hall, Metropass, Michael Stanfield, mudhoney, Mushy Callahan, Pat Blythe, Peter Montreuil, Return For Refund, Robert Segarini, Second Pass, Suzi Kory, the Bovine Sex Club, The Clash, The Crooked, The Hideout, The Record Company, The Reed Effect, The Who, Trampa on May 17, 2018 by segariniPeter Montreuil says Hello to 2018…and the About-to-Be Unemployed
Posted in Opinion with tags CPP, Don't Believe a Word I Say, GIS, Hell, Mammon, Mars, Metropass, OAS, Peter Montreuil, Robert Segarini, spring on January 11, 2018 by segariniWell, 2018 started with a bang. A diva “redeemed” herself, some new laws came into force and we froze our butts off. After a week when we were sometimes colder than Mars and when Hell (Michigan) froze, the temperature is finally getting back to normal for this time of year. While Spring might not be in the air, or even just around the corner, you have to admit that it is a month closer than it was a month ago.