New and impressive albums are piling up on me and I have been on a listening tear. I cannot even imagine how far you are behind. Way behind, if you’re still giving time to The Beatles and Led Zeppelin. I would have thought you had memorized those by now. Like our fearless leader Bob Segarini is always saying, there’s more great music out there than ever, whether you choose to believe it or not. Set yourself. This column skims what I think are the best and most overlooked over the recent months. Starting with…..
Archive for Moberlys
Frank Gutch Jr: Darth Radar? The Dirty Gospel? Bragging Rights? Music Is Even Better Than I Thought!… Plus Notes
Posted in Opinion with tags Anna Cordell, bill jackson, Chris Ashworth, DBAWIS, Don't Be Afraid to Pogo, Don't Believe a Word I Say, Frank Gutch Jr., Fur For Fairies, Green Monkey Records, Indie Artists, Indie Music, Jay Pun, Jeff Kelly, Jim Basnight, John Wicks, Jon Stickley Trio, Kate Burke, Keith Morris, Kip Boardman, Lawrence Bray, Lisbee Stainton, Madisons, Moberlys, Morwenna Lasko, music, Music Radio, music videos, Nelson Bragg, Paul Hood, Records, Ruth Hazleton, segarini, Steel Derrick Records, Susannah Espie. Liz Springer, Susanne Kelly, The Crooked Numbers, The Gears, The Meyce, The Sonics, Toiling Midgets, Wondercap Records on August 18, 2015 by segariniFrank Gutch Jr: The Saga of a Rock Pioneer: Jim Colegrove— Chapter Five
Posted in Opinion with tags Ames, Amy Kuney, Atlantic Recording Studios, CafeWha?, Chris Houston, DBAWIS, Don't Believe a Word I Say, Eddie Mottau, Felix Pappalardi, Filligar, Frank Gutch Jr., hannah miller, Indie Artists, Indie Music, Jim Basnight, jim colegrove, Joe Hutchinson, Kettle of Fish, Little Mickeys, Moberlys, music, Music Radio, music videos, N.D. Smart II, Paul Hood, radio, Records, Steve Young, Talentmaster Studios, The Bowery, The Gaslight Cafe, The Honeycutters, The Meyce, The Penetrators, Toiling Midgets, Tom Dowd, Two Guys From Boston on May 19, 2015 by segariniThe music business has always been such that the stars become super and the rest pretty much stay in the background. A case in point would be The Funk Brothers and The Wrecking Crew and the many session men (and women) who do the grunt work while the headliners reaps the profits. Not that the stars want it that way. That is just the way it is. And maybe that’s the way it is supposed to be. The people within the music industry sure know the supporting cast by name, if the public doesn’t: the session men and the opening acts and the bands which didn’t get the chance or got the chance and didn’t make it for one odd reason or another.