Another piece from 2015. I loved writing these series and my research quests have only increased over time. I’ve also rearranged things a bit but kept the same general format the original column was in. Six years later there are more names to add. Originally a five-part series, I may just add one or two more “parts” to it down the road. So in all its 2015 glory, I present to you some of the women who rock.
Continue readingArchive for Monterey Pop Festival
Pat Blythe – Women of Rock Redux – The First Five – Part One…..and music
Posted in Opinion with tags Bib Mama Thornton, Big Brother and Holding Company, Bob Segarini, Brandon Gregory, Chrissie Hynde, Coxon’s Army, DBAWIS, Don’t Believe A Word I Say, Drop Top Alibi, Grace Slick, Janis Joplin, Jefferson Airplane, Joan Jett, Joan Jett and the Blackhearts, luvthemusic, Monterey Pop Festival, Nirvana, Pat Benatar, Pat Blythe, podcast, Rock and Roll Hall of Fame, The Pandemic Conversations, The Pretenders, The Runaways, Women in Rock, Woodstock on April 28, 2021 by segariniSUNNY DAYS: THE SKIP PROKOP STORY (PART 7 by Jaimie Vernon
Posted in music, Opinion, Serialized Book with tags albert Grossman, Album 1700, Bernie Finkelstein, Bob Segarini, Brad Campbell, Cafe Au Go Go, cream, DBAWIS, Denny Gerrard, Don't Believe a Word I Say, Elvin Bishop, Eric Clapton, Ginger Baker, Grant Spence, Greenwich Village, I Dig Rock and Roll Music, Jack Bruce, Jaimie Vernon, Johnny Rivers, Linda McCartney, Lovin' Spoonful, Monterey Pop Festival, Paul Butterfield, Paul McCartney, Peter Paul & Mary, Peter Steinback, Phil Ramone, Skip Prokop, The Flick, The Paupers, The Youngbloods, Toronto, Whisky a Go Go, Zal Yanovsky on May 4, 2020 by segariniSkip Prokop and his band The Paupers were on their way to the ‘big game’ when they had two back-to-back blows. Their appearance at the Monterey Pop Festival in the summer of 1967 was an unmitigated disaster and the band’s long-time Canadian manager, Bernie Finkelstein, left the group in the hands of U.S. Uber-manager Albert Grossman. Grossman wasn’t going to let these setbacks slow the band down. In fact, he had the guys become surrogate backing musicians for several artists in his illustrious music stable. This would prove to be the undoing of The Paupers as Skip found himself attracted to working with big name acts:
SUNNY DAYS: THE SKIP PROKOP STORY (PART 6) by Jaimie Vernon
Posted in Interview, music, Opinion, Serialized Book with tags albert Grossman, Bernie Finkelstein, Bob Segarini, Brian Jones, Canadian Music, DBAWIS, Don't Believe a Word I Say, Eric Burden & The Animals, Fillmore West, Grateful Dead, Jaimie Vernon, Jefferson Airplane, Jimi Hendrix, Martha & The Vandellas, MGM, Monterey Pop Festival, Papa John Phillips, Records, Skip Prokop, The Association, The Paupers, Toronto on April 27, 2020 by segariniIn our previous installment, Yorkville Village heroes The Paupers had effectively ambushed New York City and taken the American music business by storm following their gigs at the Café Au-Go-Go. It landed them both a U.S. record deal with MGM/Verve-Folkways and a deal with Uber-manager Albert Grossman (Bob Dylan, The Band, Odetta, Peter Paul & Mary, Paul Butterfield, Janis Joplin). The wheels were in motion for The Paupers to conquer America. The band did a promotional tour across the U.S. to radio stations in preparation for the release of their debut album ‘Magic People’ and live dates to follow. Skip Prokop continues the story…
Pat Blythe – The Women of Blues Revisited – Part IV – Maggie & Janis
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Albert Collins, Alex Harvey, Archie Hind, Aretha Franklin, Atlantic Records, Austin, Big Brother and the Holding Compan, Bob Segarini, Chris Helms, Colin Allen, Courtaney, David Kelly, DBAWIS, Dennistoun Palais Band, Dick Cavett, Dionne Warwick, Discovering the Vulnerable Woman Behind Janis Joplin’s Legend, Dusty Springfield, Fillmore West, Frankie Vaughan, Freedom Road, Graeme Noble, Greg Simpson, Hold Me, It Ain't Easy, James Dewar, Janis Joplin, Jerry Wexler, Joe Cocker, John McGinnis, Kinning Park Ramblers, La Cave, Led Zeppelin, Leslie Harvey, Lightning Hopkins, Live At Montreaux, Locarno Ballroom, Long John Baldry, Mad Dogs & Englishmen, Maggie Bell, Mark London, Maryhill Estate, Mecca Band, Melody Maker, Mike Moran, Miles Davis, Monterey Pop Festival, New Musical Express, Nina Simone, No Mean City, NYC, Oh My! My!, Pat Blythe, Patsy Cline, Pearl, Peter Grant, Polydor, Port Arthur, Queen of the Night Midnight Flyers, Ray Charles, Ringo Starr, Ron Leahy, San Francisco, Sheila Weller, Shirley Bassey, Southern Comfort, Steve Thompson, Stone the Crows, Suicide Sal, Swan Song, Taggart, Taj Mahal, Teenage Licks, Texas, The Alex Harvey Soul Band, The British Blues Quintet, The Dear Green Place, The Easterhouse Project, The Full Tilt Boogie Band, The Kozmic Blues, The Power, The Power of Music, The Queen of Psychedelic Soul, The Who, University of Texas, Vancouver Island Musicfest, Vanity Fair, Woodstock, Yardbirds, Young Rascals, Zoot Money on August 17, 2017 by segariniI have “moved” Janis Joplin from my Women in Rock series to this one. When I started the “Women of ……” series, I felt she had a foot in both camps. However, the more I listen to Joplin the more I realize her feet were far more firmly planted in the blues as her voice alone attests. There have been comparisons over the years between Maggie Bell and Janis Joplin. They are reminiscent of each other and that starts with the hair. Scotland is steeped in the blues (just listen to the pipes and some of the Celtic music) but the seeds were planted, and the roots run to the core of the earth, in the U.S.’s “deep south”. Keep in mind, much of the southern U.S. became home to the Scots fleeing the oppressive English in the late 1700’s. Combine that with the African “slave” songs….mix with oppressive heat and stir….so, sometimes I wonder, who exactly influenced whom?
Pat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.
Frank Gutch Jr: It’s Not Just Politics (The New Musical Landscape), The Hits Just Keep On Comin’, and The Psychology of Vinyl….
Posted in Opinion with tags Antje Duvekot, Craig Elkins, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Indie Music, Jacquie B, Jesse Dee, Knitting By Twilight, marshburn, Mike Marino, Monterey Pop Festival, music, Peter Blecha, Picture The Ocean, Records, Road Chronicles, Seafair-Bolo, The Fire Tapes on August 22, 2012 by segariniYou don’t know how many times a day I just plain want to kill myself. I wake up in the morning, turn on the computer and while it boots up, brush my teeth and wash my face only to confront a computer aflame with news which is not news and a world going to hell in a handbasket. I never thought that this country would turn into a seething pile of manure but it’s well on its way and there looks to be no turning back. What the hell happened? Is it the Internet? Is it the smart phone? Is it The Bible? Whatever it is, something has turned us against one another. Democrat against Republican. Vegans against red meat eaters. The Tea Party against everybody.