GWNtertainment #3 by Jaimie Vernon

Here we are with Issue #3 of GWNtertainment magazine. How do you like us so far? We’re catching and reporting all the Canadian music ephemera that may have evaded your gaze in the last week.  Here’s the stuff that caught our attention on this, the 50th anniversary week of Canadian content on radio!

Jaimie Vernon – GWNtertainment

 

A million years ago (okay, it was 32) I had an idea to start a music magazine to promote Canadian music. The idea didn’t come out of nowhere and there was a catalyst to light the fire. It started as a newsletter in 1989 to promote my rock band Moving Targetz. It was called the M.T. Head Express and was mailed to our fans monthly to let them know about gigs, recordings, and all our shenanigans as a rock band. My ex’s mother, Gail Benson (RIP), said to me one day, “You should expand your news letter to cover other Canadian bands, not just your own.” And, so I did. In early 1990, I launched a 24-page fanzine called Great White Noise Magazine. My ex and I bought a brand new PC with a dot matrix printer for $1320. I had to take out a loan at my credit union to do it. It would take me until 1993 to pay it off!

CHRISTMUSE RISING by Jaimie Vernon

One thing the nine months of The Eternal COVID Darkness has given us is a short reprieve from the rampaging assault of shopping mall music. Without the frequent stops at the McMall a few times a week to lose hours of one’s life jockeying for parking, hitting the food courts, and indulging in one’s fetish for window shopping at stores no one can afford, we have been spared music dialed in from Satan’s radio station itself.

MUSIC IS DYING 2 – LIFE’S WHAT YOU MAKE IT by Jaimie Vernon

The very first live gig I ever played was 40 years ago this month – September 19, 1980 – with a band called The Swindle (we’d switch drummers and become SWindleD a year later). We were a bunch of barely passable punk rockers from Scarborough who were too young to play clubs. What does one do when you’re underage and need to get your rock on?

JAIMIE VERNON – BULLSOGRAPHY: Sneak Peek #1

With my ‘True Tales From a Cemetery Cop’  being released October 3 I’ve finally returned to finish writing the book I promised a year ago – the history of Bullseye Records of Canada.

JAIMIE VERNON – THE BOOK GOES ON

I’m desperately trying to finish writing my 6^th book. It should have been released in December but things like re-launching my record label have had me in meetings for the better part of 4 months. The new book should actually be my seventh, but that book – ‘Sunny Days – The Skip Prokop Story’ – is taking a very long time to transcribe and edit though we do expect it to be completed in coming months.

JAIMIE VERNON – CHANGESONEBOWIE

“Last night they loved you,

opening doors

and pulling some strings, angel”

Major Tom has left orbit for good. David Bowie’s indelible Aladdin Sane lightning bolt transfixed to our collective psyche and his audio imprint etched into turntables everywhere.

JAIMIE VERNON – SHAPE OF THINGS TO COME

24 hours ago a crowdfunding campaign to bring my old record label, Bullseye, back from the dead ended successfully with over $20,000 in donations from people who passionately believe in not only me and the label but music in general. I’m overwhelmed by the generosity and well wishes. I am truly humbled.

Frank Gutch Jr: Bullseye Canada— Let the Salvage Operations Begin: Conversations with Jaimie Vernon… Plus Notes (and One Really Cool Picture of Bow Thayer Guesting With No Small Children)

That would be Bullseye Records, Canada for those unaware, a label pieced together by DBAWIS‘s own Jaimie Vernon and friends— a record company caught in the digital tsunami which wiped out more than one music concern.  In fact, if you define being wiped out as being wiped out, you could probably number them in triple digits, many being “absorbed” by major labels if they could find anything worth adding to their already bloated catalogues.  I will tell you upfront that it is a tale of both success and crushing defeat, of both business and personal failure— not that it could have been avoided.  When the music business started crumbling, it took with it most everything in its path.  If you subscribe to the business as it was.  If your yardstick was measured by the same standards the major labels had set up and followed for decades.  Jaimie and his company took a beating, no doubt, but he is not down and out by a long shot.  He has just, shall we say, been regrouping.

JAIMIE VERNON – HEY, NINETEEN

As you read this my wife Sharon Vernon and I have just celebrated our 19^th anniversary. We went to Cleveland to see two of her favourite bands – the American act Red Wanting Blue and Canadian rock darling The Trews who I introduced her to (musically) in 2003 after seeing them in a club in Halifax during the ECMA’s. We’ve done a lot of that on our anniversaries – going to see live acts. That includes Lighthouse on our 17^th and Ian Mitchell of the Bay City Rollers (see story below).