I am swamped with another project that is sucking up all my time during the waking hours. I have less than two weeks to complete it and it’s seems to be growing arms and legs I wasn’t expecting. So…..just to rehash a bit of blues history, specifically the ladies, I thought I’d have my editor post this again as many of you have probably not seen it. I wrote three series, Women of Rock, Women of Blues and Women in Song. The Women of Blues was actually inspired by a contemporary whom I saw for the first time a couple of years ago. She had dedicated her latest album to a female blues artist I had never heard of. Read all about her and the women who contributed so, so much to the genre we call the blues. The famous and not so famous. They were tough, talented, single-minded, sexually liberated, passionate and most of them had more balls than the men. Read on, you might even learn something.
Archive for Muddy Waters
Pat Blythe …and The Blues Continue – Big Mama Thornton
Posted in Opinion with tags ABC-TV, American Folks Blues Festival Tour, Apollo Theatre, Aretha Franklin, B.B. King, Ball and Chain, Big Mama Thornton, Blues Foundation's Hall of Fame, Bob Segarini, Cheap Thrills, Chitlin' Circuit, DBAWIS, Don Robey, Don't Believe a Word I Say, Duke-Peacock, Elvis Presley, Fund for Women Artists, Hal Holbrook, Harlem, Hound Dog, Jerry Leiber, John Lee Hooker, Johnny Otis, Juneteenth Blues Fest, Junior Parker, Little Esther Phillips, Little Richard, Los Angeles Bicentennial Blues, Ma Rainey, Memphis Minnie, Mercury Records, Mike Stoller Notable Black American Women, Monterey Fairgrounds, Monterey Pop Festival, Muddy Waters, New York City, Newport Jazz Festival, Pat Blythe, Peacock Records, Pentagram Records, R&B, Rhythm and Blues Caravan, Rolling Stone, Saved, The Big Mama Thornton Project, Third Annual Sacramento Blues Festival, Tribal Stomp, Willie Mae on August 19, 2015 by segariniWho pops into your mind when you hear the song title “Hound Dog”? How about “Ball and Chain”? Big Mama Thornton? Probably not. However, “Hound Dog” was her biggest hit, selling more than two million copies when it was first released in 1953. “Hound Dog”reached number one on the R&B charts and made Thornton a star. However, her total compensation was the paltry sum of $500. Elvis Presley recorded it three years later and with it (for Presley) came fame and great financial reward. After meeting Big Mama, Janis Joplin recorded “Ball and Chain” with her band Big Brother and Holding Company, but it was Joplin’s famous performance at the Monterey Pop Festival in 1967 that made this song a hit (note Cass Elliot’s face in the crowd) with “bluesaphobes” everywhere, reintroducing the genre to a brand new audience and rekindling interest in Big Mama herself.
Pat Blythe: The Women of Blues
Posted in Opinion with tags Alannah Myles, Algiers, Aretha Franklin, Beale Street, Bessie Smith, Betty Garon, Big Bill Broonzy, Big Momma Thornton, Black Velvet, blues, Blues Hall of Fame, Bob Segarini, Bonnie Raitt, boogie woogie, Broken Heart, Bumble Bee, Chauffeur Blues, Chess Records, Chicago, Chicago blues, Christopher Blythe, Columbia Records, country blues, DBAWIS, Decca, Dinah Washington, Don't Believe a Word I Say, Erin Harpe, Ernest Lawlars, Etta James, Frisco Town, Going Back To Texas, I'm Salin', Ida Cox, Janis Joplin, Jefferson Airplan, Jeil Nursing Home, Jimmy Rodgers, Jo Ann Kelly, JOB Records, John Lee Hooker, John Roach, Johnny Shines, Julia Lee, Kansas Joe McCoy, Ken Jarvis, Kid Douglas, Kissing in the Dark, Langston Hughes, Led Zeppelin, Lester Melrose, Little Son Joe, Lizzie Douglas, Louisiana, Lucille Hegamin, Maria Muldaur, Maxine Sullivan, Mazzy Star, Me And My Chauffeur, Melrose sound, Memphis, Mount Zion Memorial Fund, Muddy Waters, National, New Hope Baptist Church Cemetery, Pat Blythe, Paul Garon, postwar blues, R&B, Ringling Brothers, Rolling Stones, Roosevelt Sykes, Sarah Vaughan, She Hangs Brightly, Signe Anderson, St. Louis Jimmy Oden, Tennessee, Texas Tessie, That Will Be Alright, The Lydia Taylor Band, urban blues, Victoria Spivey, Vocalian, Washboard Sam, When The Levee Breaks, Woman with Guitar: Memphis Minnie Blues, World of Trouble, You Got To Move (You Ain't Got To Move), You Wrecked My Happy Home on May 27, 2015 by segariniPrologue….
Anyone heard of Memphis Minnie? How about Ida Cox, Victoria Spivey, Lucille Hegamin, Julia Lee or Maxine Sullivan? Me neither. How about Bessie Smith, Etta James, Sarah Vaughan, Aretha Franklin, Big Momma Thornton, Dinah Washington or even Janis Joplin. The latter are a smattering of the ladies most frequently thought of or mentioned when we think of great female blues singers….the former, not so much.
Pat Blythe: CMW — Over and Out Part 2 – Until We Meet Again
Posted in Opinion with tags (We're All) Juvenile Delinquent, Al Mair, Alana Yorke, Billy Mann, Bob Segarini, Bonnie Fedrau, Buddy Guy, Cam Carpenter, Canadian Musician, Care Failure, Charlie Presburg, Charlotte Kemp Muhl, Chef Live, Christopher Blythe, DBAWIS, Die Mannequin, Donny Blais, eOne Music Canada, Fat White Family, Frank Tiefenback, Fry's, Fryfolgles, Gab Sid, Ghost Of A Saber Tooth Tiger, Gibson Artist Showroom, GigSalad, Gladys Knight, Gloryhound, GOASTT, Greg Simpson, Horseshoe Tavern, Howlin’ Wolf, Ian Janes, Images in Vogue, J.C. Sandoval, Jay Sparrow, John Lennon, Levon Helm, Midnight Sun, Muddy Waters, Music Nova Scotia, Neil Carson, Newcap Radio, Peter Montreuil, Phil Taylor, rancho relaxo, Richard Julien, Rivoli, Roxanne Tellier, Savannah, Sean Lennon, Secret Broadcast, segarini, Segarini Band, Seneca College, Sheraton, Steph Mercier, Steve Jones, The Picture Taker, tiki lounge, Tom Williams, Turn Down The World, VIP Bookings, Xprime, Yoko Ono, Zippo Lighters on May 20, 2015 by segariniI was overwhelmed with what CMW had to offer. So much to see and do, so many contacts to make, so much to learn and waaaay too many clubs to hit. Impossible in ten days but we all do our very best.
Roxanne Tellier: My Toronto – Part One
Posted in Opinion with tags Boys Brigade, Buddy Guy, Cameo Lounge, Chick n Deli, Cleveland, DBAWIS, Dixieland Jazz Matinee at Grossman's, Downchild Blues Band, Ellen McIlwaine, Goddo, Honeymoon Suite, Hotel California, Howling Wolf, Isabella Hotel. I Get Dizzy At The Izzy, Jane Vasey, Jesse Winchester, Kid Bastien's Camelia Band, Knob Hill Hotel, Louise Lambert, Mad Mechanic, Muddy Waters, Peter Appleyard, Piccadilly Tube, Q107, Queensbury Arms, Ramblin’ Jack Elliott, Reckless, Regatta, Roxanne Tellier, Santers, Spats, Sylum, The Cameo Blues Band, the Chimney, The Forge and Nickelodeon, The Gasworks, the Happy Pals, The Hunt, The Izzy, The Jitters, The Shammy, The Shamrock, Tony’s East, Triumph, Ye Olde Brunswick House, yonge street, Zon on April 6, 2014 by segariniCam Carpenter’s recent DBAWIS column on Toronto venues reminded me of how impressive the city’s music scene was back in the day. In the late 1970’s and early ‘80’s, the city was awash not only in great clubs, but in terrific musicians working six or even seven days a week, entertaining delighted, enthusiastic crowds.
You couldn’t toss a rock without hitting a working musician back then. We were everywhere, making a decent living, doing what we loved to do. Demand for live music was high, and most of us tried our damndest to rise to the listener’s expectations.
Roxanne Tellier: Snow on the Rooftop, Fire in the Furnace
Posted in Opinion with tags Chet Baker, Crowded House, DBAWIS, John Hiatt, Muddy Waters, music videos, Peter Bradley Adams, Rolling Stones, Roxanne Tellier, Simon and Garfunkel, The Weather, XTC on February 23, 2014 by segariniThis must be a nightmare of a year for young weather forecasters. They probably get up in the morning, check a stone outside their
front door to see if it’s wet, snowy or dry, and then fling a dart at a weather board, sobbing “Oh who cares what I say – it’s always wrong anyway. I’m never gonna finish paying off my tuition!”
GARY PIG GOLD: TWELVE YOU MAY HAVE MISSED IN 2012
Posted in Opinion with tags Band, Beatles, Bob Dylan, DBAWIS, Don't Believe a Word I Say, Doors, Gary Pig Gold, Grip Weeds, Harry Nilsson, Ike and Tina Turner, Movies, Muddy Waters, music, Records, Replacements, Rock ‘N’ Roll Comics, Rolling Stones, The Point, Todd Loren on February 1, 2013 by segariniThose Beach Boys and Rolling Stones weren’t the only septuagenarian rockers celebrating 50th (give or take) Anniversaries over the past twelve-or-so months, absolutely not. Just about each and every singer/songwriter/guitarist still standing – well, those with lucratively deep catalogues ripe and ready for recycling, that is – had multiple multi-media packages (and, in the Stones’ case, four-figure-plus concert tickets) competing for what remained of a loyal boomer’s nest egg throughout 2012.