Armed with my “media” credentials, my guidebook and my Metropass, I took on Canadian Music Week. (Note that all of the bands/artists that I mention in this column have Facebook pages, and are well worth further study, should you feel so inclined. It was a very busy week!)
Archive for mudhoney
Peter (Beer) Barrels through CMW 2018
Posted in Opinion, Review with tags "Anthems in Ashes", "Atomic Tomb", "Eklectik", "Gnarly Horse", "Hotel Mira", "Iggy Pop And The Stooges", "Kilmore", "Lyric Dubee", "Mount Farewell", "Mulligrub", "Nahga", "Revelations", "The Alpacas", "The Julian Taylor Band", "The Original Kid Rock", 94.9 The Rock, Adelaide Hall, BlackDog Ballroom, Brandon Gregory, Canadian Music Week, Cherry Cola's, Cleopatrick, Crown Lands, Darryl Hurs, David Bowie, Don't Believe a Word I Say, Doug Elliott, Drop Top Alibi, dylan hennessey, Fortunate Losers, Indie Week, Ivory Hours, James Blonde, Junction City Music Hall, Metropass, Michael Stanfield, mudhoney, Mushy Callahan, Pat Blythe, Peter Montreuil, Return For Refund, Robert Segarini, Second Pass, Suzi Kory, the Bovine Sex Club, The Clash, The Crooked, The Hideout, The Record Company, The Reed Effect, The Who, Trampa on May 17, 2018 by segariniNadia Elkharadly: Children of Grunge
Posted in Opinion with tags DBAWIS, Don't Believe a Word I Say, grunge, mudhoney, Nadia Elkharadly, pearl jam, seattle on September 20, 2011 by segariniLast weekend, I had the pleasure of seeing Mudhoney perform for the first time. In the subsequent review, I commented that “You’ll always love the music that you grew up with, the songs and bands that you discovered in your youth. “ It’s a notion that I kind of come back to time and time again. Being born in 1980, I began to notice the popular music around me in the early 1990s; the era of Grunge. And as I said in my review, I still love that music and those bands even today. As someone who is bombarded with new music, new artists and new bands on a fairly regular basis, it’s curious to me that I still love that genre 15 years later. And the music I love even now, likely bears more than a passing resemblance to the music that raised me.