Having progressed from crawling to walking to being regally conveyed in a carriage to riding a tricycle to running, I began to have to address new and more relevant ways of personal transportation as I grew older. I was able to occasionally borrow, however briefly, a bicycle from an understanding friend. Late in August one year, I was riding on the sidewalk in front of Robertson’s house, when I lost my balance and fell to my right. I threw my right arm out to “break” my fall.
Archive for Mushy Callahan
Peter Gives Thanks
Posted in Family, life, music, Opinion, Review with tags "The Cult", Black Absinthe, BlackDog Ballroom, Bob Segarini, Bodhi Tree, Boz Scaggs, Cheesehead, Cherry Cola's, Deep Meadow, Don't Believe a Word I Say, Mr Mouray, Mushy Callahan, Peter Montreuil, Rob de Simone, Sounds Like NowJack Cerre, The Beatles, The Clash, Witness on February 13, 2020 by segariniI am not ashamed to say that the time since my Dear Lois passed has been the bleakest of my entire life. I never knew that misery such as I am experiencing now was even possible. But it is, sadly, as I am sure those of you who have lost their loved ones are more than tragically aware.
Peter – Lois: The Anniversary and Her Celebration of Life
Posted in life, music, Opinion, Review with tags "I'm A Pilot", "Last Call In Montreal", "Nobody's Valentine", "War Paint", BlackDog Ballroom, Bob Segarini, Canadian Music Week, Cherry Cola's, Don't Believe a Word I Say, Dos Gringos, Drew Winters, F-16, Ivory Hours, Jaimie Vernon, Lois Forbes, Luke Roes, Mr Mouray, Mushy Callahan, Perseus, Peter Montreuil, Saint Michael's Hospital, The Hideout, Weathered Eyes on February 6, 2020 by segariniToday is a hard day for me to get through. 18 years ago, I met Lois Forbes for the first time. I miss her terribly, while admiring her courage as she battled cancer. We made each other try to be better people, and I think that’s a pretty good achievement. I know I wouldĀ have rather made her angry than disappoint her. I will always hold her in my heart and I miss her terribly.
Peter (Beer) Barrels through CMW 2018
Posted in Opinion, Review with tags "Anthems in Ashes", "Atomic Tomb", "Eklectik", "Gnarly Horse", "Hotel Mira", "Iggy Pop And The Stooges", "Kilmore", "Lyric Dubee", "Mount Farewell", "Mulligrub", "Nahga", "Revelations", "The Alpacas", "The Julian Taylor Band", "The Original Kid Rock", 94.9 The Rock, Adelaide Hall, BlackDog Ballroom, Brandon Gregory, Canadian Music Week, Cherry Cola's, Cleopatrick, Crown Lands, Darryl Hurs, David Bowie, Don't Believe a Word I Say, Doug Elliott, Drop Top Alibi, dylan hennessey, Fortunate Losers, Indie Week, Ivory Hours, James Blonde, Junction City Music Hall, Metropass, Michael Stanfield, mudhoney, Mushy Callahan, Pat Blythe, Peter Montreuil, Return For Refund, Robert Segarini, Second Pass, Suzi Kory, the Bovine Sex Club, The Clash, The Crooked, The Hideout, The Record Company, The Reed Effect, The Who, Trampa on May 17, 2018 by segariniArmed with my “media” credentials, my guidebook and my Metropass, I took on Canadian Music Week. (Note that all of the bands/artists that I mention in this column have Facebook pages, and are well worth further study, should you feel so inclined. It was a very busy week!)
Peter Prepares for Indie Week
Posted in Opinion, Review with tags BlackDog Ballroom, Czehowski's, Dancing Queen, Darryl Hurs, Don't Believe a Word I Say, Indie Week, Indie Week 2018, Manchester, Mushy Callahan, Opinion, Peter Montreuil, Robert Segarini, Underground Garage, Xprime on November 2, 2017 by segariniMainstream music is omnipresent. From your laptop to your ringtone, your doctor’s office to your local athletic barn, it surrounds you. Even a casual glance at billboards or bus’s will show you that mainstream music looms large in modern society.