I have “moved” Janis Joplin from my Women in Rock series to this one. When I started the “Women of ……” series, I felt she had a foot in both camps. However, the more I listen to Joplin the more I realize her feet were far more firmly planted in the blues as her voice alone attests. There have been comparisons over the years between Maggie Bell and Janis Joplin. They are reminiscent of each other and that starts with the hair. Scotland is steeped in the blues (just listen to the pipes and some of the Celtic music) but the seeds were planted, and the roots run to the core of the earth, in the U.S.’s “deep south”. Keep in mind, much of the southern U.S. became home to the Scots fleeing the oppressive English in the late 1700’s. Combine that with the African “slave” songs….mix with oppressive heat and stir….so, sometimes I wonder, who exactly influenced whom?
Archive for New Musical Express
Pat Blythe – The Women of Blues Revisited – Part IV – Maggie & Janis
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Albert Collins, Alex Harvey, Archie Hind, Aretha Franklin, Atlantic Records, Austin, Big Brother and the Holding Compan, Bob Segarini, Chris Helms, Colin Allen, Courtaney, David Kelly, DBAWIS, Dennistoun Palais Band, Dick Cavett, Dionne Warwick, Discovering the Vulnerable Woman Behind Janis Joplin’s Legend, Dusty Springfield, Fillmore West, Frankie Vaughan, Freedom Road, Graeme Noble, Greg Simpson, Hold Me, It Ain't Easy, James Dewar, Janis Joplin, Jerry Wexler, Joe Cocker, John McGinnis, Kinning Park Ramblers, La Cave, Led Zeppelin, Leslie Harvey, Lightning Hopkins, Live At Montreaux, Locarno Ballroom, Long John Baldry, Mad Dogs & Englishmen, Maggie Bell, Mark London, Maryhill Estate, Mecca Band, Melody Maker, Mike Moran, Miles Davis, Monterey Pop Festival, New Musical Express, Nina Simone, No Mean City, NYC, Oh My! My!, Pat Blythe, Patsy Cline, Pearl, Peter Grant, Polydor, Port Arthur, Queen of the Night Midnight Flyers, Ray Charles, Ringo Starr, Ron Leahy, San Francisco, Sheila Weller, Shirley Bassey, Southern Comfort, Steve Thompson, Stone the Crows, Suicide Sal, Swan Song, Taggart, Taj Mahal, Teenage Licks, Texas, The Alex Harvey Soul Band, The British Blues Quintet, The Dear Green Place, The Easterhouse Project, The Full Tilt Boogie Band, The Kozmic Blues, The Power, The Power of Music, The Queen of Psychedelic Soul, The Who, University of Texas, Vancouver Island Musicfest, Vanity Fair, Woodstock, Yardbirds, Young Rascals, Zoot Money on August 17, 2017 by segariniPat Blythe: The Women of Blues Part Four – Maggie Bell
Posted in Opinion with tags AC/DC, Albert Collins. I Was I Chains, Alex Harvey, Archie Hind, Aretha Franklin, Atlantic Records, Bob Segarini, Colin Allen, Courtaney, David Kelly, Davie Bowie, DBAWIS, Dennistoun Palais Band, Dionne Warwick, Dusty Springfield, Earth, Every Picture Tells a Story, Felix Caveliere, Felix Pappalardi, Fillmore West, Frankie Vaughan, Freedom Road, Graeme Noble, Greg Simpson, Hold Me, Humble Pie, It Ain't Easy, James Dewar, Jerry Wexler, Jimi Page, Joe Cocker, John Mayall Ode to John Law, John McGinnis, Kinning Park Ramblers, La Cave, Led Zeppelin, Leslie Harvey, Lightning Hopkins, Live At Montreaux, Locarno Ballroom, Long John Baldry, Luther Vandross, Mad Dogs & Englishmen, Maggie Bell, Marc Bolan, Mark London, Maryhill Estate, Mecca Band, Melody Maker, Mike Moran, Miles Davis, New Musical Express, Nina Simone, No Mean City, NYC, Oh My! My!, Ontinuious Performance, Pat Blythe, Patsy Cline, Peter Grant, Peter Kurtz, Polydor, Queen of the Night Midnight Flyers, Ray Charles, Ringo Starr, Rod Stewart, Ron Leahy, Roxy Music, Sad Mary, Shirley Bassey, Steve Howe, Steve Thompson, Stone the Crows, Suicide Sal, Swan Song, Taggart, Taj Mahal, Teenage Licks, The Alex Harvey Soul Band, The British Blues Quintet, The Dear Green Place, The Easterhouse Project, The Power, The Power of Music, The Who, Vancouver Island Musicfest, Weeley Festival, Wind and Fire, Yardbirds, Yes, Young Rascals, Zoot Money on July 22, 2015 by segariniPat Blythe continues her series The Women of Blues with this fourth installment on a Legendary Scottish singer….
Doug Thompson: “(WE’RE GONNA) ROCK AROUND THE CLOCK” AGAIN
Posted in Opinion with tags American Film Institute, American Graffiti, Bill Haley and The Comets, Bill Haley and The Saddlemen, Bill Haley with Haley’s Comets, Billboard Magazine, Billie Holiday, Billy Crystal, Blackboard Jungle, Cashbox, Dave Prater, DBAWIS, Dean Martin, Denny Doherty, Don't Believe a Word I Say, Doris Day, Doug Thompson, Ed Sullivan, Eddie Fisher, Elvis Presley, Frank Sinatra, Gene Clark, Gene Pitney, George Clooney, George Lucas, Glenn Ford, Grammy Hall of Fame, Halley’s Comet., Happy Days, International Astronomers Union, James Myers, Jim Dawson, Jimmy De Knight, jo stafford, John Phillips, Johnny Clifton and His String Band, Jr. Walker, Kay Starr, Kitty Kallen, Lionel Hampton, Louis Armstrong., Louis Jordan, Mary Wells, Max C. Freedman, Mike Smith, Milt Gabler, Motown, music, Nat King Cole, New Musical Express, Patti Page, Peggy Lee, Perry Como, Peter Ford, Pythian Temple, Records, Rock and Roll, Rock and Roll Hall of Fame, Rolling Stone Magazine, Rosemary Clooney, Roy Orbison, Sam & Dave), segarini, The Andrew Sisters, the Dave Clark Five, The Four Aces of Western Swing, The Ink Spots, The Weavers, Tony Bennett on November 17, 2014 by segariniThis column is the first of what hopefully, will become more of a regular one on DBAWIS by yours truly. My intention (and we all know what happens to intentions, especially good ones) is to take a closer look at some of the hit records and hit makers from the rock era using some of my interview archives.