March 30 was the last column I wrote for this site…..the “Canadian edition” and finale of my jazz series. It’s now been six week since DBAWIS was able to publish due to some serious computer issues. There’s a wee bit of catching up to do. Live music is happening again, the camera seems to have found its way back into my life, the whole England move has been sliding sideways, reviewing photographs (not just Chris’s, but mine too) has sent me down several rabbit holes, and life generally, has been pretty busy. So…..let me just dive right in.
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Pat Blythe – Here comes summer!!
Posted in Canadian Music, life, music, Opinion, Review with tags Bob Segarini, CMW, DBAWIS, Don’t Believe A Word I Say, Female eye Film Festival (FeFF), Hirut Café and Restaurant, Love Revolution, luvthemusic, Mariposa, music festivals, music festivals 2022, Pat Blythe, Roy Thomson Hall, summer, Summerfolk, The Pandemic Interviews, Toronto Jazz Festival on May 11, 2022 by segariniPat Blythe – All That Jazz VII – The Canadian Connection
Posted in Canadian Music, life, music, Opinion, Review with tags bebop, Bob Segarini, Café St-Michel, cool jazz, DBAWIS, Don't Believe a Word I Say, Festival International de Jazz de Montréal, Fusion, Jazz, La Petite-Bourgogne, Little Burgundy, luvthemusic, Montreal, Montreal International Jazz Festival, Pantages Playhouse Theatre, Pat Blythe, Rising Sun Celebrity Jazz Club, Rockhead’s Paradise, The Original Creole Orchestra on March 30, 2022 by segariniJazz was birthed in the U.S. but it didn’t take long to head north to Canada. It was first introduced to Canadian audiences in 1914, when a New Orleans band The Original Creole Orchestra performed a matinee gig at the Pantages Playhouse Theatre in Winnipeg. The stop was part of their western Canada tour. The band of six musicians included one of jazz’s early masters, cornettist Freddie Keppard. Jazz pianist Jelly Roll Morton performed in Vancouver cabarets from 1919 to 1921. Canada and the U.S. share the longest land border in the world so it was no surprise Canada quickly became the first country outside the U.S. to cultivate its own jazz scene. “In Canada, as elsewhere, musicians took to jazz and made it their own, although not before they’d had the benefit of good tutelage from touring U.S. musicians – mostly black – for whom “Canadian time,” as they called touring north of the border, was a relief from the constant racism of the U.S. and a new, quite profitable source of revenue.” – Quill & Quire
Continue readingPat Bythe – All That Jazz Part VI
Posted in life, music, Opinion, Review with tags Allan Holdsworth, Billy Cobham, Bitches Brew, Bob Segarini, Café Au Go Go, Chick Corea, Dave Holland, Fusion, Greenwich Village, Harvey Brooks, Herbie Hancock, Jazz, jazz fusion, jazz rock, Joe Zawinul, John McLaughlin, Ken Burns Jazz – The Story of American Music, Larry Young, Lenny White, luvthemusic, Mahavishnu Orchestra, Miles Davis, Pat Blythe, Paul DeLong’s ONE WORD, Return to Forever, Santana, The Rex, Tony Williams, Village Vanguard, Wayne Shorter, Weather Report on March 23, 2022 by segariniThis is going to be a long one…….
For the early students of jazz, there were no books or educational courses. The best a young musician had was listening to the music live, following by recordings. You couldn’t take a live performance home, and recordings could be scarce, or simply out of reach financially. As jazz grew in popularity throughout the decades, more and more recordings made this rapidly changing genre more available and attainable.
Continue readingPat Bythe – All That Jazz – Part IV
Posted in life, music, Opinion, Review with tags Bob Segarini, cool jazz, DBAWIS, Don’t Believe A Word I Say, free jazz, hard bop, Jazz, Jazz Messengers, jazz music, luvthemusic, Miles Davis Nonet, modal jazz, Pat Blythe, rock ‘n’ roll, The Newport Jazz Festival, The Sound of Jazz on March 9, 2022 by segariniThe other day, I was asked what this week’s column was going to be about. I had no idea, and often I find myself starting one thing that completely morphs into something entirely different. Later that day, I caught up with another friend and during our phone conversation, she mentioned jazz artists. Looking back, I realized I had not completed this series, a writing project I started in 2020, while we were in the initial throes of the pandemic. Jazz, in any form, was a genre of music that was rather foreign to me. It wasn’t played in the house growing up. It wasn’t until a close friend introduced me to jazz in all its glorious forms that I began to listen and learn and fall in love with the music. Here we go again!
Continue readingPat Blythe – Technology vexations…..and a tune or two
Posted in Canadian Music, life, Opinion, Review with tags Brian Hogue, BTBs, C0ndu1t, DBAWIS, Don’t Believe A Word I Say, Hirut Café, John Jamieson, luvthemusic, Pat Blythe, Pat Blythe A Girl With A Camera, Podbean, podcast, Sascha Tukatsch, Soundhouse Studio, The Pandemic Interviews on February 23, 2022 by segariniThis will be a very short column this week. I am facing serious technological challenges and limitations. To call the past few days frustrating is an extreme understatement! Being without my third arm (or second brain) is akin to a floundering fish gasping for water. In my case, I’m gasping for my laptop. I am lost and bereft without it, and the tiny screen of my phone doesn’t cut it. It sounds ridiculous I know, but when absolutely EVERYTHING we do is dependent on technology, when we don’t have access to it, it become a crisis of world proportions.
Continue readingPat Blythe – Where do we go from here? ……and music
Posted in Canadian Music, COVID 19, life, music, Opinion, Review with tags Bob Segarini, Carnac the Magnificent, DBAWIS, Dine Alone, Don’t Believe A Word I Say, Doug Varty, Forest City London Music Hall of Fame, Gold Child Records, Indie Artists, Indie Labels, Jack Richardson Music Awards, Johnny Carson, luvthemusic, New Damage, Paper Bag Records, Pat Blythe, Pat Blythe A Girl With A Camera, Pleasence Records, Podbean, podcast, Sea Dog, Six Shooter, The Pandemic Interviews – Conversations in a changing time, Vinyl Recordings on February 9, 2022 by segariniThroughout the past two years we’ve all tried to predict, guess, envisage, calculate, even hope what the future of music will be, once we are no longer struggling and fighting this global pandemic. We have been living in a world that seems surreal…..like a bad dream you wish you could wake up from, just by rubbing your eyes. That anything like this could happen in the 21st century seems rather absurd and unbelievable. Thing is…..it did. We are not impervious, but we are arrogant in thinking that we are. Lately, events have proven that we still have a long way to go. There remains, in all parts of the world, a whole level of uneducated obtuseness that exists even after we’ve heard from Archimedes, Aristotle, Galileo, Isaac Newton, Einstein, Stephen Hawking and their ilk. Baby…..we have a looooong way to go.
Continue readingPat Blythe – Indie Week…..Julian Taylor….podcasting……and music
Posted in Canadian Music, COVID 19, life, music, Opinion, Review with tags Avalanche, Bob Segarini, Darryl Hurs, DBAWIS, Desert Star, Don’t Believe A Word I Say, Gerry Mosby, Indie Week, John Jamieson, Julian Taylor, Lawrence Gowan, luvthemusic, O Canada What A Feeling, Pat Blythe, Pat Blythe A Girl With A Camera, Princess of Wales Theatre, Rhinegold, Sil Simone, Soundhouse Studio, Talking Red, The Pandemic Interviews, The Ridge on February 3, 2022 by segariniI’m missing the live music, the clubs…..but most of all the people. It’s been two years now since I’ve trolled Toronto’s club scene, traveled with the ONES show and visited the many stages of the various festivals in Ontario. I loved it all….every second of it! I met some of the most incredible people, heard some fantastic music, and was honoured to a part of a scene I had been away from for so long. I made new friends (and lost a few), learned new skills, and was gifted with the opportunity to write this column…..it was a whirlwind six years. Then Covid decided to rain on our parade. The Pandemic Interviews allowed me to stay connected to many of the musicians I met during those five years.
Continue readingPat Blythe – Snow….After Life…..and music
Posted in Family, life, music, Opinion, Review, Television with tags After Life, Bob Segarini, DBAWIS, Don’t Believe A Word I Say, Humanity, luvthemusic, Pat Blythe, Ricky Gervais, Snow on January 26, 2022 by segariniI make big plans, a list even, of what I want to write about. Then something forces me to make a sharp right (or left), and I find myself tapping out something completely different on the keyboard. I’d make a lousy novelist, as I can’t seem to stick to one thing. My wildly wandering imagination would take far too my detours. The ending would have absolutely no relation to the beginning! ….and so it begins with today’s offering.
Continue readingPat Blythe- Catch up…..Christmas kiboshed…..and music
Posted in Canadian Music, COVID 19, Family, Food, life, music, Opinion, Review with tags Anker, Bob Segarini, Catterick Garrison, Christmas 2021, DBAWIS, Don’t Believe A Word I Say, Easby Abbey, Edinburgh Festival Fringe, Leeds, luvthemusic, Pat Blythe, Pat Blythe A Girl With A Camera, podcast, Richmond Castle, Richmondshire, Suzi Kory, The Grove, The Pandemic Interviews, The Redhill Valleys, We The Crooked on January 19, 2022 by segariniThis week’s column is a bit of a mish mash. It’s been six weeks since my last writing and so much has happened (or not happened)! Where to begin?? Let’s see….another variant tanking Christmas and New Year’s Eve for so many of us; a giant roast turkey all dressed up with nowhere to go; dating my couch; a quiet but lovely New Year’s Eve; Christmas decorations still hanging about, and the storage bins to put away; the closing of “indoor damn near everything”; back to dating my couch, but now we’ve got a threesome going with the fridge…..yep, so much has happened!
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