It’s been a rather entertaining week. Out with friends and seeing friends. Toronto is slowly waking up to spring and the sunny, warmer days are helping. Not to say Mother Nature won’t send us into another ice age as the grand finale but we are indeed edging ever closer to spring….then summer…and all those glorious music festivals. Canadian Music Week (CMW) starts us off every year, this time May 7-13 followed by Lift Cannabis Expo May 25-27. Two excellent reasons to get out, enjoy the music and inhale that spring ayre……deeply.
Archive for percussion
Pat Blythe – Women of The “Traps”- Part One…and Music!
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Billboard Magazine, Billy Gladstone, Bob Segarini, Brie Darling, davul, DBAWIS, Don't Believe a Word I Say, Down Beat Magazine, Dr. Mark Temperato, drums, Fanny, Gaspare Spontini, Gene Krupa, Gina Schock, Groovestone, Honey Lantree, Honeycombs, Julliard, Karen Carpenter, Marcy Saddy, Meg White, Moe Tucker, Pat Blythe, percussion, Record Mirror, RevM, Sandy West, Sheila E, snare drum, tabl turki, tabor, The Coquettes, Timothy's Pub, tom-tom drum, Turkish drum, Viola and Her Seventeen Drums, Viola Smith, William F Ludwig on February 14, 2018 by segarini“Developed primarily in the United States, early drum kits were known as traps kits (short for trappings) and usually consisted of a bass drum, a snare drum on a stand, a small cymbal and other small percussion instruments mounted on the bass drum or a small table, all played with drum sticks or brushes except for the bass drum.” — Wikipedia\
“A synonym for “drum kit” this term was used earlier, when drums and percussion were beginning to be assembled into a single “station,” playable by one drummer. The story goes that early kits contained a tray that held percussion “contraptions,” such as cowbells, whistles, and other items. “Contraptions” was shortened to “trap,” eventually becoming “trap kit”.” –Sweetwater Sound