The stars have finally aligned, sports fans! You can delete my queries about Carrie Biell because I have found her after a ten year search. I should say that my buddy at KEXP radio, Tom Smith, found her. Well, maybe a friend of Tom’s. Or a friend of Tom’s friend. Ach! It doesn’t matter. The important thing that she is found. The other important thing is that she is writing again and has already jumped back into the deep end of the musical pool.
Archive for Phil White
Frank Gutch Jr: In Anticipation of Moon Palace; The Space Opera Trilogy; and Notes and Nothing But the Notes…..
Posted in Opinion, Review with tags Alialujah Choir, Brandy Zdan, Brett Wilson, Child, David Bullock, DBAWIS, Debacle Records, Devon Sproule, Don't Believe a Word I Say, Elkhorn, Fort Worth, Frank Gutch Jr., Indie Artists, Indie Music, Music Radio, music videos, No Vacation, Phil White, radio, Records, Safe at Home, Scott Fraser, segarini, Space Opera, Susanna Rose, Sweet Home Oregon, The Widowmakers, Tim Browning, Zombie vs. Shark on March 22, 2017 by segariniFrank Gutch Jr: T Bone. Got it? He’s from T exas… Glenn Patscha To Release Ten Year Old Album Because It’s a Killer!…plus Notes
Posted in Opinion, Review with tags All Fires the Fire, Alpha Band, Anna Cordell, Bob Dylan, Brian Cullman, Chet Flippo, Clive Davis, David Bullock, DBAWIS, Death Hoax, Don't Believe a Word I Say, Donovan Woods, Frank Gutch Jr., Gilmore Girls, glenn patscha, Guy Clark, Indie Artists, Indie Music, Lloyd Sachs, music videos, No Small Children, Obscura Hail, Ollabelle, Phil White, Radney Foster, Records, Rollin' Thunder Revue, Scott Fraser, segarini, Songs from the Jefferson Highway, Space Opera, Sweet Home Oregon, Sycamore Creek, T-Bone Burnett, Tamara Saviano, the curtis mayflower, Whistler Chaucer Detroit & Greenhill on February 14, 2017 by segariniBut before we get started, it’s time once again to plug one of my favorite bands of all-time— those crazy elementary school teachers who change into demonic rockers at night: No Small Children. Coming off of a successful run playing the title tune from the movie Ghostbusters II, they pluck another rocker out of the air and it’s a beaut! Lay back (if you can) and listen to what the percentage of us not tied to our iThings are hearing. I Feel Better!!!
Frank Gutch Jr: On Writing About Music
Posted in Opinion, Review with tags Brett Wilson, Brian Cullman, David Bullock, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Freakwater, Glenn Coleman, Indie Artists, Indie Music, maggi pierce & ej, Mark Lindsay, music, music videos, Paul Roessler, Phil White, pokey, Records, Scott Fraser, segarini, Space Opera, Sweet Home Oregon, Thank God For Science on May 17, 2016 by segarini
It isn’t easy. To most of you it must look that way. Six, eight paragraphs about a band or an album, a few videos picked up off the Net. Two hours, tops. On the columns which didn’t go so well, maybe fifteen minutes (and a six pack of beer, after re-reading a few of them). But it isn’t easy and it takes me a lot longer than you might think. There have been times I’ve written five drafts and finally submitted the sixth out of pure frustration. Three, four days and not a thing to show for it. And then there have been the three hour jobs—- the ones in which I elucidate about the days of transistor radios and Fender amps (they were king when I was young). Unfortunately, those are few and far between.
Frank Gutch Jr: Space Opera… the Final Frontier; Spotify Revisited (Revisited); Plus Notes
Posted in Opinion, Review with tags andrew davenhall, Andy Prieboy, bill jackson, Brett Owen Wilson, Daniel Martin Moore, David Bullock, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., hannah gillespie, Indie Artists, Indie Music, Jon Gomm, Jon Stickley, Mad Anthony, music, music videos, Phil White, radio, Records, Scott Fraser, See By Sound, segarini, Space Opera, Spotify, The Honeycutters on April 5, 2016 by segarini
I was sitting here navigating the social media this past week when I noticed a rockumentary I thought I had seen before— one on Ed Dougherty, who had headed up Oregon’s connection to rock music back in the sixties, booking acts both local, regional, and national in the Pacific Northwest. I was sure I had seen it, having written about it in more than one of my columns, but I was feeling nostalgic and took the plunge anyway.