Now that I have your attention, let’s talk about music in the time of COVID, shall we?
In the Before Times (March 2020 or sooner) the music industry was teetering on the brink of obsolescence as concert tickets had skyrocketed to the price of, well, a moon-landing, and venues were closing down at a rate equal to Nortel distributors. The music itself had been co-opted by the tech industry through streaming platforms, leaving artists wondering how they got robbed so badly (here’s a hint: you’re the cow, the music’s the milk…insert cliché about not buying the former if you can get the latter for free). On a scale of economics, you’re either a starving creator or a billionaire exploiter. There is no middle class in music. And given that most weasels in the music industry aren’t clever enough to become billionaires, they turn to low hanging fruit and pick the pockets of performers and songwriters for pennies on the dollar.
Archive for Red Wanting Blue
JAIMIE VERNON – SO MUCH MUSIC, SO LITTLE TIME
Posted in Opinion with tags Apple, Bay City Rollers, Bob Segarini, Canadian content, Canadian Music, DBAWIS, Don't Believe a Word I Say, Elvis Presley, fanclubs, Feist, Garage Band, Hillside Singers, iPad, ipod, iPod Nano, Jaimie Vernon, Jet, Lee's Palace, music fans, music format, music listeners, music lovers, New Seekers, Red Wanting Blue, sam the record man, The Beatles, The Trews, U2, Vintage Trouble on October 4, 2014 by segariniBack at the turn of the Millennium (which was 14 years ago!) I worked at Sam The Record Man’s flagship store at 347 Yonge Street on the third floor. I was the content editor of their fledgling on-line shopping store. It was my job to review the newest releases coming in from the record labels – most specifically Canadian content. I had been hired to deal with CanCon due to my online presence with the Canadian Pop Music Encyclopedia. It was usually kept to a few dozen albums. It was a dream job.