Holy shit! I am practically crying, the music gods are being so good to me. Just discovered a band which is killing my brain cells and making me enjoy it! They are called The Claudettes and are out of Chicago and I am in love! Lordy, I must have somehow done something really really good. If I could only figure out what it was…
Archive for Russ Solomon
Frank Gutch Jr: Rockin’ the Universe with The Claudettes, Rich Krueger, Gris-de-Lin, Tobias the Owl, Jerry Castle, Banners Raised, Andrew Ryan, Larkin Poe, and Stop Light Observations… Plus Notes
Posted in Opinion, Review with tags Andrew Ryan, Banners Raised, Birch Pereira & The Gin Joints, Bobby Messano, Cam Newton, DBAWIS, Don't Believe a Word I Say, Filligar, Frank Gutch Jr., Gris de Lin, Indie Artists, Indie Music, Jaimie Vernon, Jerry Castle, Jim of Seattle, Larkin Poe, music videos, Notary Sojac, Records, Rich Krueger, Russ Solomon, segarini, Sheldon Gomberg, Stop Light Observations, Sweet Home Oregon, The Claudettes, The Game Played Right, Thom Bresh, Tobias The Owl on March 6, 2018 by segariniFrank Gutch Jr: All Things Must Pass— Thoughts On the Record Business; No Small Children and the Radio; plus Notes To Plant In Your Head (Yes, It is Spring, Sports Fans)…
Posted in Opinion, Review with tags All Things Must Pass, Barbed Wire Dolls, Dave Coker, DBAWIS, Don't Believe a Word I Say, Flashback, Frank Gutch Jr., Indie Music, KASH, Ken Sockolov, KFLY, KGAL, KISN, KRKT, Lisa Mychols, love, Lovers & Madmen, music, music videos, No Small Children, Petunia & The Vipers, radio, Real Don Steele, Records, Russ Solomon, segarini, Sweet Home Oregon, Takashi Miyaki, The Gestures, The Grass Roots, The Leaves, The Merry Go Round, The Mojo Men, The Vejtables, Tower Records, Wes Swing on April 6, 2017 by segariniI just finished watching the documentary titled All Things Must Pass about Tower Records and their rise and fall and am going to try to tell you a bit about the record business in which I worked. First, though, a few people to whom I have talked about the film have made comments about Russ Solomon, the man behind the chain, which were none too complimentary. When I heard them, I didn’t say much because I had yet to see it and thought maybe the comments were more toward the film than Russ himself. So let me now respond to those few, none named because the conversations were private and thus not fodder for public consumption.