Christmas. It’s the time for joy and camaraderie and faith. It’s the time of giving and sharing and, for most, receiving. Debts are forgiven at Christmas, and people too. Indeed, the power of Christmas could almost save the world and would, according to Hollywood, if given half a chance.
Archive for Sandrider
Frank Gutch Jr: Vinyl: It’s What’s For Christmas…..
Posted in Opinion with tags Bandcamp, carl anderson, CDBaby, Chris and Gileah, Crushed Out, DBAWIS, dirtmusic, Don't Believe a Word I Say, Frank Gutch Jr., Grass-Tops Records, Green Monkey, Hot Knives, hymn for her, Indie Artists, Indie Music, Jeremy Cargill, Josh Ritter, Lake Street Dive, Lo=Pan, Luck of Eden Hall, Mad Anthony, Modular, music, Napalmpom, New American Farmers, Oceanographic Records, Records, Sallie Ford, Sandrider, segarini, Signature Sounds Records, Son of Man, Ticktockman, Tom Dyer, WarHen Records, Winterpills, Zoe Muth on December 2, 2014 by segariniFrank Gutch Jr: Vinyl Coming Back? May-beeee, There Is Just Not Enough Time, Karl Fredrick Anderson Chimes In On Spotify Etc., and Notes…..
Posted in Opinion with tags DBAWIS, Don't Believe a Word I Say, Fire Tapes, Frank Gutch Jr., Freedom Hawk, Indie Artists, Indie Music, Jon Gomm, Karl Fredrick Anderson, Kate Isenberg, Kink Ador, Pandora, Pop Culture Press, Quadrophonic, Records, Red Rattles, Sandrider, Sarah White, Spotify, Sydney Wayser, The Delta Saints, The Lonely Wild, The Stray Birds, Ticktockman, vinyl, War Hen Records, Xenat-Ra on January 9, 2013 by segariniThere are a large number of reasons I love writing for DBAWIS. For one thing, I get to write amongst some of the best writers out there. I have had it in my mind to put together a list of must-read columns with thumbnail reviews and easy links so others could read what I have read, though I am sure with different eyes. You see, I found DBAWIS very early in its existence, when Bob Segarini was writing what was then his column for FYI Music in Canada. At first, I was just following Segarini, a musician I much admired after having interviewed him for Pop Culture Press for their “Summer of Love” issue.
Frank Gutch Jr: Vinyl Presence & Presents (After All, Christmas Is Around the Corner) and Notes From Under the Ground…..
Posted in Opinion with tags 667s, Arborea, CDBaby, Dala, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Freedom Hawk, Gavin Guss., Good To Die Records, Green Monkey, Green Pajamas, Hitmen, Howie Wahlen, Indie Artists, Indie Music, Lisa Joy Pimentel, Nick Holmes, No Small Children, Putters, Records, Red Rattles, Sandrider, Small Stone Recordings, Spyn Reset, Sundowners, Sydney Wayser, The Fire Tapes, Ticktockman, Tom Dyer, vinyl, WarHen Records, Wes Swing, Xenat-Ra, Zombie vs. Shark on November 21, 2012 by segariniI don’t know what youth wants from us old farts, especially when it comes to music. Many mock us for being Boomers, many laugh at our music. I can understand. I laugh at us, too. Our insistence that stars are gods, especially rock and movie stars. Our self-indulgence. Our knowledge that we more than any others are omniscient. God, but there have been times when I wished I had been borne of another generation (until I look at the other generations and realize that they are as fucked up as are we).
Frank Gutch Jr: M-M-M-Metal Is All You Ever Play, Get Research Turtles’ Mankiller Pt. 1 of 2 While You Can— Free! and Notes, Notes and More Notes!!!!!
Posted in Opinion with tags Annabell Lee, Arkells, Cyndi Dawson, DBAWIS, Dissonati, Don't Believe a Word I Say, First Circuit, Frank Gutch Jr., Freedom Hawk, Henry Seiz, House of Ghosts., Hundred Visions, Indie Artists, Indie Music, Jon Gomm, Mankiller, music, Records, Research Turtles, Robert Fripp, Sandrider, Steve Hoffman Forums, Steve Turnidge, The Cynz, The Dementians, The Minnows, Thomas Hunter, Tom McMeekan, Winterpills on September 12, 2012 by segariniWith apologies to The Records (that’s the band, sports fans) and their song Teenarama. I was sitting here plowing my way through one of my more favorite albums of the past few weeks by one Sandrider and wondering what it is that makes us turn right or left when mood strikes us— to bang heads with Freedom Hawk and Sandrider and then slither into the sixties and early seventies pop garden with The Records and The Shoes. It’s a hell of a jump from “Cut down these heathens” to “C-c-c-c-c-cola is all you ever drink,” from “Hold not your blades to our sad thirsty throats” to “Teenarama/All that melodrama/Gimme gimme gimme gimme/Teenarama” but it is a jump I make all the time. It’s no wonder I’m screwed up. I can’t walk a straight line. Hell, sometimes I can barely walk!