It’s that time of year again, sports fans. Santa has been on the radio for the past two months, robot disc jockeys and purveyors of everything muzak beating us senseless with varying renditions of Rockin’ Around the Christmas Tree and Jolly Old Saint Nicholas, hoping to lighten our mood enough to loosen the old purse strings. Hallmark Channel have kicked into full Christmas mode, plastering their channels with their cookie-cutter movies which vary mostly by the changing of leading ladies (this year’s favorite, by far, is Hilarie Burton, whom I saw in an old Castle episode and was floored by not only her beauty but the fact that the casting could not have been more right). I wish they had more creativity over at Hallmark, their overuse of the five plots and rotating stars coming very close to consumer abuse. But, hey, I’m a sap.
Archive for seafair bolo records
Frank Gutch Jr: Music To Stuff Stockings By… And With; Plus No Notes… Consider It a Lump of Coal
Posted in Opinion, Review with tags Amy van Keeken, Brady Earnhart, carl anderson, David Bullock, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Gold Heart, Indie Artists, Indie Music, Jimmy Hanna, Keith Morris, Kip Boardman, Lost Leaders, michael fennelly, music, Music Radio, music videos, Nick Holmes, No Small Children, nocona, Ophelia Hope, Proutt and Gary, Ray Ruff, Records, Sage Run, seafair bolo records, segarini, Seldom Scene, Slamhound Hunters, The OF, The Viceroys on December 11, 2015 by segariniFrank Gutch Jr: Sonics Boom! Seattle’s Peter Blecha Writes (Not Rewrites) Pac NW Music History!, Pac NW Labels— In Fact, It’s the Great Pac NW Rundown, Part One! (plus Notes?)…..
Posted in Opinion with tags Burdette, By Divine Right, Cabin, DBAWIS, Don't Believe a Word I Say, Ellen Ogilvy, Finding the Funk., Frank Gutch Jr., Great American Music Company, Great American Record Company, Greg Laswell, Indie Artists, Indie Music, Jerden, Jerry Dennon, Jim Page, Jimmy Hanna, Joe Boles, Jr. Cadillac, Kidd Afrika, Main Attraction, music, Ned Neltner, New Tweedy Brothers, Paul Hood, Peter Blecha, Picadilly, Records, seafair bolo records, Sonic Boom!, the curtis mayflower, The Delta Saints, The Dynamics, Tim Noah, Toiling Midgets, Tom Ogilvy on February 12, 2014 by segariniYou may not know or know of Peter Blecha, but I do. Peter and I have been acquaintances if not friends for a number of years and I have watched his growth as a writer and music historian with great interest. We share an intense interest in the Pacific Northwest music scene, past and present, and we both revered the music and the bands which inhabited the various periods in the Pac NW music saga. We know that the rest of the world, if not for The Sonics and Paul Revere & The Raiders, would consider the music scene minor league at best, but have always considered the rest of the world ignorant of the music and artists who seemingly have and have had to struggle for respect beyond the borders of Washington, Oregon, Idaho and Montana.
Frank Gutch Jr: Up-and-Comers for 2013, Why All the Covers, Mental Tracks, and Notes…..
Posted in Opinion with tags carl anderson, city zu, copper & glass, cross & ross, DBAWIS, Don't Believe a Word I Say, edmund & leo, elks in paris, era for a moment, Eric Lichter, fauntella crow, fotheringay, Frank Gutch Jr., funnel cloud, hem, hymn for her, Ian Hunter, Indie Artists, Indie Music, jim henman, Jon Gomm, Ken Stringfellow, Kim Grant, Laurie Biagini, Lisa Parade, little steven, Maxine Dunn, michael fennelly, music, nadas, No Small Children, peace in the end, Phillip Goodhand-Tait, randy hansen, Records, rich mcculley, sally ellyson, seafair bolo records, the curtis mayflower, The Lonely Wild, the young men, when I'm president on February 20, 2013 by segariniRemember when I said 2012 was the best year ever in music? 2013 is even at this early date biting 2012 on the ass. Artists are lining up with what I am sure is going to be a run and a half of outstanding and, in some cases, mindblowing offerings. Rather than wait and write about them pretty much after the fact, let us dig in now in a sort of anticipatory way, shall we?