Well, here we are, half a dozen issues into our rebirth and we’re getting great feedback from the masses. Thank you for reading and thanks for the time you’ve taken to write to use with your new releases and news. The theme in this week’s issue seems to be a leaning toward synth-pop. A coincidence or are we on the verge of a 1980s synth renaissance? Check out the tunes in our Absolutely Indie section below and see for yourself. Anyway, it’s onward we go….
Archive for Shari Ulrich
Frank Gutch Jr: Bobby Singh— Photo-Chronicling Toronto’s Music Scene; Shari Ulrich & Julia Graff— It’s a Family Thing; A Trifecta of Concept Albums; and Notes…..
Posted in Opinion with tags 000 Watts, A&M Records, Alcoholic Faith Mission, Bob Segarini, Bobby Singh, Bonsai, DBAWIS, Don't Believe a Word I Say, Emmylou Harris, Everywhere I Go, Frank Gutch Jr., Front of House Photography, hannah gillespie, Henry Diltz, Indie Artists, Indie Music, Jaimie Vernon, Johnny Cash, Julia Graff, july talk, Levon Helm, music videos, Nightmare @ 20, Paul Kennerley, Phosphorescent, Records, Roseanne Cash, Shannon Curtis, Shari Ulrich, Simone Elyse Stevens, The Legend of Jesse James, The Pretty Reckless, Waylon Jennings, White Mansions on May 20, 2014 by segariniShari Ulrich, in her latest blog, talks about the future from a perspective of the past, her point being that she had not even an inkling of what was to happen while it was even happening. To live in the present is, in essence, to live in the future because time has no on and off buttons. Every second we live is another second into the future and another second away from the past. We experience it on an ongoing basis, the seconds ticking away into minutes and then hours and then days and then weeks until we are at a point we stop (though it never really stops) and look back, wiping our brows and wondering, where did it all go? And wish that we had maybe paid more attention.