Throughout the past two years we’ve all tried to predict, guess, envisage, calculate, even hope what the future of music will be, once we are no longer struggling and fighting this global pandemic. We have been living in a world that seems surreal…..like a bad dream you wish you could wake up from, just by rubbing your eyes. That anything like this could happen in the 21st century seems rather absurd and unbelievable. Thing is…..it did. We are not impervious, but we are arrogant in thinking that we are. Lately, events have proven that we still have a long way to go. There remains, in all parts of the world, a whole level of uneducated obtuseness that exists even after we’ve heard from Archimedes, Aristotle, Galileo, Isaac Newton, Einstein, Stephen Hawking and their ilk. Baby…..we have a looooong way to go.
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Pat Blythe – Where do we go from here? ……and music
Posted in Canadian Music, COVID 19, life, music, Opinion, Review with tags Bob Segarini, Carnac the Magnificent, DBAWIS, Dine Alone, Don’t Believe A Word I Say, Doug Varty, Forest City London Music Hall of Fame, Gold Child Records, Indie Artists, Indie Labels, Jack Richardson Music Awards, Johnny Carson, luvthemusic, New Damage, Paper Bag Records, Pat Blythe, Pat Blythe A Girl With A Camera, Pleasence Records, Podbean, podcast, Sea Dog, Six Shooter, The Pandemic Interviews – Conversations in a changing time, Vinyl Recordings on February 9, 2022 by segariniPat Blythe – Canadian Music Week 2017….The Finale
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Amelia Curran, Bob Segarini, Cherry Cola's, CMW, Common Deer, Darrell Vickers, David McMichael, DBAWIS, Desert Star, Don't Believe a Word I Say, Donny Blais, East Coast Music Awards, Eddie Bullen, Greg Simpson, Hello Delaware, Horseshoe Tavern, John Rowlands, Julian Taylor, Julian Taylor Band, Lorraine Segato, Menage, Mentor's Cafe, Music Nova Scotia, Pat Blythe, Phoenix Concert Theatre, rancho relaxo, Rivoli, Six Shooter, Smithsonian, SOCAN, Tanya Tagaq, The Danger Bees, The Town Heroes, Theremin, Tranzac, Whitehorse on May 17, 2017 by segariniBefore I pick up where I left off prior to Bob’s computer turning into a brick, I shall sidestep a titch and segue, for just a moment, into sessions. Yes…those relatively educational, supposedly non-biased, informative, enlightening, seminars/panel discussions or summits, as CMW refers to them. This is the core stuff delegates are actually paying for when they purchase a ticket. I listed the several different streams one can chose from in last week’s column, so I shan’t bore you with the details here. However, suffice to say, there is loads of opportunity to learn as well as “button hole” and query those with a cumulative hundreds of years of experience, and educate yourself in everything that is the entertainment industry. From Mentor’s Cafe to SOCAN, from touring to ticketing, from writing, producing and publishing to understanding Indie labels and Indie rights….and that’s just the music stream.