Before I begin this, a little heads up. Fort Worth, that bastion of musical lugubriation which has been producing worthy quarter and eighth note treatises since before Rock was born, is gracing us with two projects of which you need to be aware. One involves Jim Colegrove and cohort Roscoe West (and a cast of others) who have come together in a group calling themselves Men of Extinction. With music dipped in Country & Western and old-time Rock with a little Soul thrown in on the side, they have put together a very tasty and sometimes humorous album titled We Made It Ourselves. And they did.
Archive for Steve Stanley
Frank Gutch Jr: And Now For Something Completely (Well, Almost) Different, Plus Notes…..
Posted in Opinion, Review with tags Black Diamonds Australia, Bud Carroll, Butterscotch Cathedral, Cindy Minogue, David Bullock, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., I Remember Mama, Indie Artists, Indie Music, Jeff Ellis, Kate Burke, Logging, Men of Extinction, music videos, Peter Holsapple, Rainbow Tavern Seattle, Records, Ruth Hazleton, Santiam Mill, segarini, Skylar Gudasz, Space Opera, Sputnik, Steve Stanley, Sweet Home, Terry Reid, Tom House on October 27, 2015 by segariniFrank Gutch Jr: Three Noteworthy Reissue Labels Mining the Gold… and Silver… and Copper… and Tin… plus Notes
Posted in Opinion with tags Bob Irwin, Dala, DBAWIS, Don't Believe a Word I Say, Filligar, Frank Gutch Jr., Gabby Catellana, Gordon Anderson, Hallmark Channel, Indie Artists, Indie Music, Joan Pimentel, Joelle May, John Hicks, michael fennelly, Millar Jukes & The Bandits, music, Music Radio, music videos, nocona, Now Sounds, Raised By Eagles, real gone music, Records, Reissue Labels, segarini, Skye Wallace, Steve Stanley, Sundazed, Tommy Talton, vinyl, Wayne Proctor on March 3, 2015 by segariniMusic used to be all about hits, and before that, artists, and before that, publishing. Recycling music was written into the process from the beginning, but when the LP came along, recycling became a way of life. To be fair, early reissue albums were not reissues at all but were what they termed “budget” discs, a term also applied to albums of “generic” music by artists of little known or unknown cachet. Labels such as Harmony and Pickwick and Design once filled drug store racks with albums of dubious distinction, filled with either deep tracks of a popular artist or tracks by bands put together in the studio to recreate hits of the day.