Now that I have your attention, let’s talk about music in the time of COVID, shall we?
In the Before Times (March 2020 or sooner) the music industry was teetering on the brink of obsolescence as concert tickets had skyrocketed to the price of, well, a moon-landing, and venues were closing down at a rate equal to Nortel distributors. The music itself had been co-opted by the tech industry through streaming platforms, leaving artists wondering how they got robbed so badly (here’s a hint: you’re the cow, the music’s the milk…insert cliché about not buying the former if you can get the latter for free). On a scale of economics, you’re either a starving creator or a billionaire exploiter. There is no middle class in music. And given that most weasels in the music industry aren’t clever enough to become billionaires, they turn to low hanging fruit and pick the pockets of performers and songwriters for pennies on the dollar.
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JAIMIE VERNON – CUTTING EDGE RADIO
Posted in Opinion with tags Bob Segarini, branding, Canadian Music, CFNY, Classic Rock, Corus Entertainment, Cutting Edge, David Marsden, DBAWIS, Don't Believe a Word I Say, Game of Thrones, internet radio, Jaimie Vernon, Jeff Woods, John Scholes, Kim Mitchell, Maureen Holloway, Netflix, Q107, Satellite Radio, streaming, Talk Radio, terrestrial radio, The Edge 102.1, Top40, Toronto's Rock, TVLand on August 8, 2015 by segarini It was slice and dice time this past week at Corus Entertainment – a media conglomerate bloated with 3D printer versions of radio stations and formats that run the gamut: talk radio, sports talk, business talk, knitting talk, pet talk, Hot A/C, Hot A/C light, Hot A/C dance, Hot A/C D/C, Adult, Slightly Adult, Slightly More Adult, Prematurely Adult, Classic Rock, Jurassic Rock, Pet Rock, New Rock, Modern Rock, Over The Hill Rock, and all fucking traffic all the fucking time.
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