Frank Gutch Jr: Tania Stavreva; Sometimes It Takes a Choir; Plus Them Damn Addictive Notes

Time to bust outta this place, amigos.  Time to strike out into the unknown— well, lesser known— and visit city cousins, because we are definitely heading toward the city.  No Hoi Polloi allowed where we’re going—  nothing but royalty and coronation balls.  I would make a joke here but lowering standards is beneath us today, okay?  Today hamburger is not on the menu.  More like foie gras— to the more common among us, goose liver.  Not just any goose liver, though.  This is, like I said, foie gras, a mixture of specially fattened goose liver to please the palate if the mind.  And of the ears.

Frank Gutch Jr: Thoughts on Big Star, The Little Band That Wasn’t Until One Day, Forty Years Later, It Was; Plus Updates and Voluminous Notes of a Lugubrious Nature

It was a epiphanal moment, one where an aura engulfs something or someone with angelic choir background.  In this case, it engulfed the first two albums released by new and tiny Ardent Records: Cargoe‘s self-titled classic and Big Star‘s #1 Record.  I held them up and asked Gary Haller, co-owner of Eugene’s now famed House of Records if they were any good.  They looked good, the slick glossy covers showing artsy pictures of the bands, the neon Big Star sign classy in an Andy Warhol sort of way.  “Dunno,” Gary replied.  “Nice artwork, though.”  I brooded over them for the next hour or so, pulling other records from the racks to read liner notes I had already read numerous times, hoping that this time I would find inspiration.  To buy.  To listen.  To covet.