For years I have been telling you that music isn’t just music. Some of you understand, mostly musicians who spend a lot of energy and time helping out those in need. Others shrug it off because they know either that there is no good music anymore so what good would it do, or that musicians are either children avoiding growing up or are millionaires waiting for the train. Don’t tell that to the people at Sweet Relief or Musicares or any of the other charity organizations out there. There is a lot of hard work being laid down by scores of musicians and music people, aware that good fortune can turn sour at the drop of a hat.
Archive for Teddy & The Roosevelts
Frank Gutch Jr: Generation Found; It Was a Long Walk Home (Thoughts Spurred By Separation From Viet Nam-Era Army); plus N-n-n-n-notes…
Posted in Opinion, Review with tags Bridget Kearney, Brinsley Schwarz, Buck Curran, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Generation Found, Indie Artists, Indie Music, James Gang, John Mayall, Keb’ Mo’, King Wilkie, Longhair Music Faucet, Malcolm Holcombe, Matt Butler, Mt. Wolf, music, music videos, Peter Green, Pi Jacobs, R. Stevie Moore, Records, Sarah White, Sheldon Gomberg, Steel Wheels, Susan Werner, Sweet Home Oregon, Sweet Relief, Taj Mahal, Ted Pitney, Teddy & The Roosevelts on March 28, 2017 by segariniFrank Gutch Jr: The Forgotten Past, Recent and Otherwise; Plus a Few (Very Few) Notes
Posted in Opinion with tags Cowboy, crooked numbers, Dan Phelps, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Greg Laswell, Heartsfield, hymn for her, Indie Artists, Indie Music, jess Pillmore, Jim Greenwood, Joseph LeMay, Keith Morris, King Wilkie, Lavacado, licorice pizza, Love Wounds & Mars, music videos, randy burns, Records, Research Turtles, segarini, Seventeen Acres, Son of Man, Ted Pitney, Teddy & The Roosevelts, Waylo9n Jennings on August 5, 2014 by segarini
Joseph LeMay‘s album Seventeen Acres has been out how long? Three months? I wrote about it in an earlier DBAWIS column and have barely mentioned it since. I have to wonder why. I love some of the songs on that album and like everything about it. It is beautifully recorded, masterfully produced and mastered and, even more important, made up of outstanding songs. And yet I push it into the past. So I started thinking— how does that happen?