It was a epiphanal moment, one where an aura engulfs something or someone with angelic choir background. In this case, it engulfed the first two albums released by new and tiny Ardent Records: Cargoe‘s self-titled classic and Big Star‘s #1 Record. I held them up and asked Gary Haller, co-owner of Eugene’s now famed House of Records if they were any good. They looked good, the slick glossy covers showing artsy pictures of the bands, the neon Big Star sign classy in an Andy Warhol sort of way. “Dunno,” Gary replied. “Nice artwork, though.” I brooded over them for the next hour or so, pulling other records from the racks to read liner notes I had already read numerous times, hoping that this time I would find inspiration. To buy. To listen. To covet.
Archive for The Burning Hell
Frank Gutch Jr: John Stewart— More Than Just “Gold”; Wayne Berry— Welcome Home
Posted in Opinion, Review with tags Amilia K. Spicer, Calico The Band, California Bloodlines, Centennial, Charlottesville, Cowboy, DBAWIS, Don't Believe a Word I Say, Eileen Carey, Frank Gutch Jr., Home At Last, Indie Artists, Indie Music, John Stewart, Keith Morris, Lilly Hiatt, Lisa LeBlanc, Lisbee Stainton, music, music videos, radio, Records, segarini, Somewhere South of Eden, Starting an Earthquake, Sweet Home Oregon, The Burning Hell, Tift Merritt, Timber, Tommy Talton, Trancas, Volunteers, Vourtney Marie Andrews, Waybe Berry on August 15, 2017 by segariniI picked up a turntable for my sister a couple of months ago. She had found what she said was about twenty of her old albums (it was more like a hundred and fifty) and had the urge to once again hear them. Mostly they were albums I remember her liking— Percy Faith, Rod McKuen, Enoch Light and the like. She drove me nuts with those albums when we were kids but I secretly liked a lot of them. (I did truly hate the Sound of Music, Colleen, but the others were okay).