Last week I wrote about local bullies, and those that terrorize the citizens that elected them locally and nationally. More often than we might have thought, those elected bullies, unsated by the billions they suck from their people’s coffers, opt to extend their reign indefinitely. When they do so, they morph from being barely restrained autocratic bullies, into full-fledged, unrestrained, dictators.
Continue readingArchive for The Clash
Peter Gives Thanks
Posted in Family, life, music, Opinion, Review with tags "The Cult", Black Absinthe, BlackDog Ballroom, Bob Segarini, Bodhi Tree, Boz Scaggs, Cheesehead, Cherry Cola's, Deep Meadow, Don't Believe a Word I Say, Mr Mouray, Mushy Callahan, Peter Montreuil, Rob de Simone, Sounds Like NowJack Cerre, The Beatles, The Clash, Witness on February 13, 2020 by segariniI am not ashamed to say that the time since my Dear Lois passed has been the bleakest of my entire life. I never knew that misery such as I am experiencing now was even possible. But it is, sadly, as I am sure those of you who have lost their loved ones are more than tragically aware.
Peter (Beer) Barrels through CMW 2018
Posted in Opinion, Review with tags "Anthems in Ashes", "Atomic Tomb", "Eklectik", "Gnarly Horse", "Hotel Mira", "Iggy Pop And The Stooges", "Kilmore", "Lyric Dubee", "Mount Farewell", "Mulligrub", "Nahga", "Revelations", "The Alpacas", "The Julian Taylor Band", "The Original Kid Rock", 94.9 The Rock, Adelaide Hall, BlackDog Ballroom, Brandon Gregory, Canadian Music Week, Cherry Cola's, Cleopatrick, Crown Lands, Darryl Hurs, David Bowie, Don't Believe a Word I Say, Doug Elliott, Drop Top Alibi, dylan hennessey, Fortunate Losers, Indie Week, Ivory Hours, James Blonde, Junction City Music Hall, Metropass, Michael Stanfield, mudhoney, Mushy Callahan, Pat Blythe, Peter Montreuil, Return For Refund, Robert Segarini, Second Pass, Suzi Kory, the Bovine Sex Club, The Clash, The Crooked, The Hideout, The Record Company, The Reed Effect, The Who, Trampa on May 17, 2018 by segariniArmed with my “media” credentials, my guidebook and my Metropass, I took on Canadian Music Week. (Note that all of the bands/artists that I mention in this column have Facebook pages, and are well worth further study, should you feel so inclined. It was a very busy week!)
JAIMIE VERNON – MUSIC BUCKET CHALLENGE
Posted in Opinion, Review with tags 10cc, 54.40, 999, Andrew Wyeth, Bob Segarini, Canadian Music, Chalk Circle, DBAWIS, Don't Believe a Word I Say, Elvis, Forgotten Rebels, Godley & Creme, hipster, Hybrid Kids, Jaimie Vernon, Men Without Hats, microdot, Morgan Fisher, Mott the Hoople, Music Bucket Challenge, Orson, Rational Youth, THE ALARM, The Clash, The Crickets, The Enemy, The Ramones, The Sex Pistols, Tonio K., tribal, Vital Sines on February 27, 2016 by segarini
There’s a new Facebook challenge going around that asks people to choose the 12 albums that have “stayed with you” over the years. I’m not sure what they mean by that exactly. “Stayed with you” like your dog does when you’ve got a half-eaten bean burrito sitting unattended on your plate while you remote control your way through 177 channels on your TV set looking for a Season 9 marathon of the ‘Simpsons’? Or “Stayed with you” like a bad one-night stand that turned into a three-year commitment, a shared bank account and pink throw pillows on the bed you’ve had since Middle School?
Continue reading
JAIMIE VERNON – THE PUNKS ARE (STILL) ALRIGHT
Posted in Opinion with tags 1979, American Idiot, Bob Segarini, Calypso, Canadian Music, CBS Records, DBAWIS, Don't Believe a Word I Say, Gary Hector, Gates of the West, Green Day, Jaimie Vernon, Joe Strummer, Jointpop, London Calling, London's Burning, lucha libre, Mayaro, Mick Jones, Mil Mascaras, Paul Kimble, Phil Hill, Pink Floyd, Punk, Quicksand, reggae, Sex Pistols, Simply Beautiful, ska, Smashing Pumpkins, The Clash, The Wall, Train In Vain, Trinidad & Tobago, Trinidad's Burning, WWE on May 30, 2015 by segariniSmashing Pumpkins leader William “Don’t Call Me Billy” Corgan bleated something about loss of innocence at the end of the 1970s with the band’s only true Pop song called “1979” in the apex of the 1990s version of a counter-culture movement (c/f Grunge, Cobain, Seattle, et al).
Doug Thompson: COVERING UP! VINYL RECORD COVERS CLASSICS!
Posted in Opinion with tags 10cc, AC/DC, Al Stewart, Alan Rickman, Alex Steinweiss, alice cooper, Andy Warhol, Annie Leibowitz, Aretha Franklin, Asia, Aubrey Powell, Ben Colder, Big Audio Dynamite, Big Brother and the Holding Company, Blind Faith, Blues Travellers, Bob Freeman, Bob Seidemann, Bob Whitaker, Bon Jovi, Booker T and The MG’s, Bruce Springsteen, Captain & Tennille, Celine Dion, Columbia Records, Crosby, David Crosby, David Frye, DBAWIS, Dean Torrance, Debbie Harry, Def Leppard, Delores Erickson, Diana Ross & The Supremes, Dimo Safari, Don Imus, Don't Believe a Word I Say, Doug Thompson, Eden & John’s East River String Band, Elvis Presley, Frank Zappa and The Mothers of Invention, Genesis, George Benson, Google Street View., Graham Nash, Harry Nilsson, Henry Diltz, Herb Alpert and the Tijuana Brass, Hipgnosis, Homer & Jethro, Hugh Syme, Iain Macmillan, Jack Davis, Janis Joplin, Jerry Reed, Jill Haworth, Jim Morrison, John Densmore, John Lennon, Johnny Otis, k.d. lang, Kim Mitchell, Kirk Weddle, Klaatu, Larry Gowan, Led Zeppelin, Lighthouse, MAD Magazine, Michael Cooper, Mick Jagger, Modern Folk Quartet, Monkeys of Syion, Nirvana, Pat Cooper, Paul Anka, Paul McCartney & Wings, Peter Blake, Peter Christopherson, Phil Ochs, Pink Floyd, Queensryche, R. Crumb, Ray Manzarek, Records, Red Hot Chili Peppers, Rick Eldon, Robbie Kreiger, Rod Stewart, Roger Dean, Rolling Stone Magazine, Rough Trade, Rush, Russ Gibb, Sailcat, Scorpions, Sheb Wooley, Sigourney Weaver, Sir Joseph Lockwood, Soul Asylum, Spencer Eldon, Spike Jones, Stephen Stills, Stills & Nash, Storm Thorgerson, Styx, Supertramp, Sweet Cream, T-Rex, The Alan Parsons Project, The Beach Boys, The Beatles, The Clash, The Dells, The Doors, The Fall, The Guess Who, The Jeff Healey Band, The Nitty Gritty Dirt Band, The Phantom Surfers, The Rolling Stones, The Smithereens, The Turtles, The Velvet Underground, Tim Allen, Time Magazine, Tom Waits, Tony Shaloub, Toronto, TV Guide, Uriah Heap, Yes on May 5, 2014 by segariniI love album covers! Not the shrunken down versions they use on CDs, I mean those gloriously creative (mostly) 12” vinyl record album covers. I was looking through my vinyl record collection the other day and marvelled at some of the amazing designs of some of the covers. Now, before we start delving into some classic album covers as well as a few personal favourites, a little history is in order, but don’t panic – there will not be a quiz later.
Cameron Carpenter: The ABC’s Of Rock – I Was A Punk Before You Were A Punk
Posted in Opinion with tags Cameron Carpenter, Clinton Heylin, D.O.A., DBAWIS, Don't Believe a Word I Say, John Lydon, Jon Savage, Legs McNeil, Liz, Marc Spitz/Brendan Mullen, Marcus Gray, music, NXNE Film, Patti Smith, Punk, Records, Sam Sutherland, Shanghai Cowgirl, The Clash, The Damned, The Dead Boys, The Diodes, The Jam, The Ramones, The Sex Pistols, The Tubes, The Viletones, Toronto on May 9, 2013 by segarini“I was a punk before you were a punk
You don’t believe me? Just step outside and see me baby
I was a punk before you were a punk
You want some action? I’ll put your ass in traction baby
I was a punk before you were
I was a punk before you
I was a punk before you were
I was a punk before you”
The Tubes (Spooner/Evans/Waybill)