It’s been busy the past few weeks. What with fighting that ghastly, intrusive flu/cold (whatever the hell it was) while still cruising the concert halls and clubs, celebrating a special day with my sons and generally trying to keep in or out of trouble….. depending on your point of view. I’ve also been rooting around in the basement searching for more of Chris’s work and I discovered not only his collection of slides but a brand new, unopened box containing a Kodak (remember them) slide projector complete with three carousels and a carousel stack loader. Never used. I cracked it open, plugged it in and everything worked like a charm. Now, if I can just remember how to put the slides in…..I keep getting them backwards or upside down. So I continue to catalogue, digitize and view slides. My drum stool just got delivered (thank you Kid Carson) so now, instead of sliding across the floor every time I use the kick drum, I’ll stay put.
Archive for The Docks
JAIMIE VERNON – TAKIN’ CARE OF BACHMAN (PART 2)
Posted in Opinion with tags Bachman Turner Overdrive, Bill Wallace, Bob Segarini, Brave Belt, BTO, Bullseye Records of Canada, Burton Cummings, Canadian music Randy Bachman, Canadian Pop Music Encyclopedia, DBAWIS, Don't Believe a Word I Say, Donnie McDougall, Epiphone, Gary Peterson, Grapes of Wrath, Guess Who, Hummer, Jaimie Vernon, Jim Kale, Killer Dwarfs, Lee Garden, Les Paul, Maureen Leeson, Paul Whitteker, Sharon'SISTER, Sheraton Centre Hotel, Spadina, Spare Parts, Susan Abramovitch, Suzanne Little, The Docks, Tom Hooper on April 18, 2015 by segariniexcerpted from the forthcoming book ‘Bullsography: The Bullseye Records Story 1985-2010’