Archive for The Enemy

JAIMIE VERNON – MUSIC BUCKET CHALLENGE

Posted in Opinion, Review with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 27, 2016 by segarini


Jaimie Vernon_Viletones - Copy
There’s a new Facebook challenge going around that asks people to choose the 12 albums that have “stayed with you” over the years. I’m not sure what they mean by that exactly. “Stayed with you” like your dog does when you’ve got a half-eaten bean burrito sitting unattended on your plate while you remote control your way through 177 channels on your TV set looking for a Season 9 marathon of the ‘Simpsons’? Or “Stayed with you” like a bad one-night stand that turned into a three-year commitment, a shared bank account and pink throw pillows on the bed you’ve had since Middle School?
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JAIMIE VERNON – POP GOES THE WORLD

Posted in Opinion, Review with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 26, 2015 by segarini

Jaimie Vernon_Viletones For the last 15 to 20 years the idea of pop music – like the good old guitar/piano driven stuff we grew up with on the CHUM Top 30 and Billboard Top40 charts – has been Verboten and buried like a forgotten dog bone in the backyard. Like some nerdist guilty pleasure there’s been a counter movement which has dubbed itself the keepers of Power Pop though its supporters can never agree on the definition of the term.

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JAIMIE VERNON – A NEW MUSIC WARDROBE

Posted in Opinion with tags , , , , , , , , , , , , , , , , , , , on May 17, 2014 by segarini

250_23750261354_2817_nI’ve done previous columns about the vacuous business that has become nostalgia-peddling so I have no interest in rehashing that…but I’m fascinated by the idea that people cling to it so desperately. The Boomer Generation has become really good at criticizing the newest trends in music but cannot shine the mirror back on their own sacred cows and say, in all honesty, “Hey, wait a minute. I’m getting half as much entertainment value as I used to at triple the price.” Folks would rather see (and hear) a simulation of The Who’s former selves with its surviving members doing the 32nd anniversary tour of their final show in various stages of disability (Townshend’s deafness and Daltrey’s failing vocal range) for $500 than something new and organic for $10 at the local pub. They’d rather watch the decrepit mummified remains of The Rolling Stones trot out predictable, laughable, cartoonish interpretations of their own back catalog and pay 10x the price for the insult because they copped their first boobie feel during ‘Angie’ in the 1970s.

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